Showing posts with label east village. Show all posts
Showing posts with label east village. Show all posts

Thursday, July 3, 2008

Mili Quality Cleaners

My goal for this holiday week was to keep from having to announce any new vanishings. It's been a rough month, after all, and I was hoping for a break. But today, a tipster sent in the following bad news.

After the closing of Fontana Shoe Repair, it was only a matter of time before the next-door tailor closed up shop too. Now it's happening. According to this story in The Villager, Michael Alter's lease is up and he is packing it in. “I don’t want to work anymore,” he said. “I don’t want to work for the landlord. I can’t pay with my fingers so much money."

This is my tailor, the man who hems all my pants.



The Villager writes:

The landlord, Mark Scharfman, is asking $3,330 per month, and “who knows what the real estate taxes will be?” said Alter. “Bloomberg is killing small businesses.”

...He is considering putting in one more month, working through July, and then in the future might work a few days a week for someone else, just to keep busy. But he is ready to go.

Alter’s shop adjoins the now shuttered vacant space that shoemaker Angelo Fontana had to give up on Feb. 29 because of a steep rent increase from the same landlord...Now that both small spaces will be available, what next?

Monday, June 30, 2008

Drag March

It is easy to forget, in a time when Tompkins Square Park is a set for SATC-wannabe TV show Lipstick Jungle, that the park and its environs has any grittiness or eccentricity left in it.



But on that same night, as the TV people were breaking down their faux-farmer's market set, I stumbled upon a different sort of "lipstick jungle" and was reminded that sometimes New York is still New York, and here and there, the East Village is still the East Village. I have the Radical Faeries to thank.



The best thing about the Radical Faeries' annual Drag March is that it has nothing whatsoever to do with glamour. The marchers are often bearded men wearing body glitter, eye makeup, and whatever semblance of female drag they managed to slap together from their mother's cast-offs or the local Salvation Army store. Some wear stilettos, others wear combat boots. Some look like demon women. One dispensed with drag altogether, stripped himself totally naked (minus mismatched socks), and collapsed drunk into a bicycle.



They're sweaty, dirty, and strange, too.

Just like summer in New York is supposed to be.

Wednesday, June 25, 2008

Finding Lost Houston

Last week I rented The Night They Raided Minsky's, which just came out on DVD. I don't recommend it, unless you're interested (as I was) in seeing the interior of the Village East prior to its renovation from a live theater to a cinema. The red curtain is there, along with the stage and the balconies.


film still


photo: tony marciante

The Village East did a stint as a burlesque theater around the 1950s and 60s (above and click for boobs here), but it was never a Minsky's. The original Minsky's, represented in the movie, was located farther south at 111-117 East Houston. That's where the Whole Foods/Avalon building stands today. Here it is in 1930:


NYPL image

My research in the NYPL's digital gallery took me away from Minsky's and in another direction, discovering this image of the Sunshine theater, also in 1930:


NYPL image

Zoom in to see Yonah Schimmel's knishery as it was in its early days:



Notice the major construction on Houston. They were digging it up to put in what later became the F train. In doing so, they also widened the street. Who knew that Houston used to be a narrow, two-lane road? Or that an entire world of buildings, homes, and businesses were wiped out in its widening.

Here's another shot of Houston in 1929, just a year prior to the demolition. There's the Sunshine on the left and on the right you can see an optometrist, a lamp store, and what looks like an umbrella shop. The low-rise buildings stretch all the way to Sixth:


photo: brooklynpix

5,000 residents were evicted and 1,795 apartments were demolished. Wrote the Times, ''Some workers have been living in the flats for a score or more of years and bow to the inevitable march of progress.''

New York has been changing since its inception. That's obvious. Blocks and buildings rise and fall. Seventy years ago, half of Houston Street vanished from the city--and the city survived. But today the rate of change has become excessive. Block after block after block, New York is devoured. We don't get one Avalon building, we get three. We don't get one Marc Jacobs store, we get half a dozen. Such is the inevitable march of progress today.

Tuesday, June 24, 2008

Stroller Sports

As we all know, the Stroller Wars have been raging in Park Slope. Recently, EV Idiot worried the East Village would similarly be "mobbed by the stroller mafia." As young couples make more money and the city becomes more "liveable," they seem to be leaving for the suburbs less and less. (Are the suburbs, in turn, losing their children? Will the suburbs become NORCs?) And with more strollers in town comes more bad stroller behavior and more anger from the child-free. Here's a sampling:
  • George Carlin (RIP) on our child-obsessed culture. [TBTI]
  • Anti-stroller signage. [Gothamist]
  • Moms and bars. [NY Times]
  • The original Stroller Manifesto. [Heideblerg]
  • Line-cutting, on-demand flat fixes. [Curbed]
  • And one In Defense of Parenthood [Observer]
While it's one of my favorite topics, I go into bad-stroller territory with trepidation, because the mere mention of it seems to tick off every parent with a child under the age of 10. I can't understand why well-mannered, considerate parents aren't more angry at the rude, entitled stroller moms and dads who give them all a bad name. Still, I am too excited not to report that I recently encountered the jackpot of obnoxious stroller behavior.



Like Jim Knipfel with his Statistics of Contempt, I cope with sidewalk frustration by making a game of it. This scene scores a big six points:

1. Incredibly loud cell-phone talker (four blocks worth of it)
2. Talking about the top two most obnoxious loud cell-phone topics (money and real estate)
3. Pushing stroller with just one hand
4. Pushing enormous, double-wide stroller
5. Double-wide has just one kid in it (other side's for shopping bags)
6. Kid is big enough to be playing a handheld electronic game--and those legs, knees bent to her chest, look made for walking

I'm not sure this one could score much higher, unless she was also listening to an iPod in one ear and steering with her hips while sucking on a Starbucks iced coffee. And leading a small dog on a too-long leash. Now that would be something.

(Where is Seinfeld when we need someone to name and call attention to current urban behaviors? Larry David, come back to New York!)

If the grudge match between the Stroller Mafia & the Angry Child-Free is going to continue, and it is, then we should at least have team uniforms. It might help us all have a sense of humor about this issue. Below are a few design options--and, for the record, I would really love to see a mom or dad in the "I Hate Your Kids" shirt:






Where'd I find these T's?

Monday, June 16, 2008

Happy 20th Die Yuppie Scum

You might say that Friday night's protest of super-gentrification in the East Village was also a celebration of Die Yuppie Scum's 20th birthday. In trying to trace the roots of this rallying cry of rage, I found its earliest recorded use goes back to the 1988 riots in Tompkins Square Park, when it was hurled at the new residents of the Christodora House (along with bricks), painted on the walls of their controversial building, and propelled into the mainstream lexicon. By 1989, the phrase had made it onto T-shirts and was being spray-painted everywhere. It is currently enjoying a resurgence.



How appropriate then, that this weekend's angry group of East Villagers, chanting "Die Yuppie Scum" as they marched through the neighborhood's streets, should end up on the doorstep of Christodora, face to face with the enemy, where they found their fiercest opposition of the long march.

But first let me rewind, back to the beginning of the night.

It started with a beer at Mars Bar. A Chinese woman came in hawking bootleg porn DVDs and a one-handed man told me all about how the Hare Krishna building across the street used to be a brothel, "You paid $13 for 10 minutes, $15 if you wanted to stick it in the front and the back." Mars Bar, an island of eccentricity in a sea of sameness, survives. For now.



Right next door, the wine connoisseurs were getting comfortable at Bowery Wine Company's outdoor tables, enjoying the temperate summer evening. Farther up the block, on Bowery, outside the new outpost of Hamptons boutique Blue & Cream, protesters began gathering, making posters on the sidewalk with paint and markers.



Soon after 8:00, John Penley led the crowd down to the wine bar. As people stood on milkcrates to rage, read poetry, and play guitar, the crowd swelled to about 100 protesters. The police came to erect a barricade. Condo-dwellers leaned from floor-to-ceiling windows and quietly snapped pictures. The outdoor diners looked stricken, annoyed, and begged to be moved indoors. There was only one vocal member of the opposition, an elderly black man, a Republican in a GOP baseball cap who kept shouting, "Go home you pussies!" at the mostly white crowd of protesters.

Starved for confrontation, when a Hummer limo rolled by, the crowd jeered and jumped up and down, screaming into its blacked-out, unresponsive windows.



The police were placid. One bobbed her head to the music of David Peel's "Die Yuppie Scum." She told me, "I'm with you guys. If it were up to me, I'd let you protest to your heart's content. I was born here and I can't afford to live anywhere on the island of Manhattan!"

I asked her what she thought of the changes in the neighborhood. She said, "These buildings don't fit. They're too big. And the people? All they're doing is moving in victims. These people are victims. Stupid. They save seats with their laptops! With their handbags! And then just walk away. That's all we deal with now--stolen laptops." Robberies and burglaries are up. The new kids on the block make it easy pickins. She predicted that crime would continue to rise, many of the newcomers would leave, "And we'll have balance again."



After Bowery Wine, we marched to CBGB/Varvatos. The crowd jeered the outdoor diners at Bowery Hotel and turned down to 47 E. 3rd, where multi-millionaires are evicting an entire tenement full of long-time residents to make a single-family McMansion for themselves. From there, we went up Avenue A, through Tompkins Square Park, and settled at the door of the Christodora House.



Pushed behind a police barricade, the crowd chanted and David Peel sang "I Hate Christodora," like sirens luring the Christodorans out into the open. At last, they came. Barefoot girls with slim, tanned legs naked beneath long shirts came out cradling small dogs in their arms. Boys in Midwestern college football jerseys and Midwestern college football bodies came out with eyes wide. Gray-haired, gym-trim men in designer bifocals came out and consulted with the police, whispering into their blue caps.



The Christodorans huddled behind the police. One of them, with an air of paterfamilias, stepped to the protesters and argued for the righteousness of himself and his neighbors: We feed the homeless! We give to charity! A shouting match ensued, but no one was touched, no bricks were thrown.

When the Christodorans realized it was not 1988 and no harm would come to them, they relaxed. They snapped pictures of the protesters and giggled. They chatted about everyday things, and petted each other's tiny dogs. They tossed their wheat-colored hair and laughed, showing their flawless white teeth. Up on their marble steps, they did what the landed gentry have been doing for centuries--they ignored the angry mob as it railed against them.



And I say this was the fiercest opposition of the night, because the power to ignore, to stand above another's pain, unaffected and unmoved, to render people invisible--this may be the ruling class' greatest weapon. Like the shaded, unresponsive windows of that Hummer limo the crowd had earlier attacked, the eyes of a yunnie are impenetrable. They are bullet proof. They say, "You can't touch this." And, for the most part, here, today, they are right.
More coverage of the event:

Friday, June 13, 2008

Bowery Protest



Take a sneak peek at tonight's protest in the East Village: Check out the "Die Yuppie" collection here.

The crowd of about 100 started at the corner by Blue & Cream, demonstrated outside the Bowery Wine Company, then marched to CBGB/Varvatos. They continued past the Bowery Hotel, stopped to demonstrate outside 47 E. 3rd St., then down to Avenue A, through Tompkins Square Park, and finished at the Christodora House, where the rallying cry "Die Yuppie Scum" was born--and where tonight a bunch of yuppies came out to take souvenir photos of the protestors.

Full report to come on Monday.

Also check out:
Photos by Bob Arihood
Pictures and Videos by EV Grieve

Monday, June 9, 2008

Waxman Cometh?

It seems that when things change in the new New York, they change en masse. Soon, much of the eastern block of 1st Ave between 7th and 8th Streets is going to be transformed.



La Casalinga, which closed in February, has already been rented and is on its way to becoming a German sausage takeout joint called Eichstatt. I heard that the owner, who is from Germany, will be feeding us with Schaller & Weber products. So far, not so bad. He's up for a wine and beer license.

As I covered recently, next to the sausage place is the revived International Bar, where we'll be welcome to enjoy our takeout bratwurst with a can of Schaefer, and two doors up from the International, replacing Cosmos Parcels, will be La Rokara, a jazz cafe that promises to be neighborhood-friendly.

Again, so far, so good--and three bar/restaurants in a row should be plenty, but there's more.



Dearly departed butcher shop, Kurowycky Meats, is still rumored to be transformed into a high-end restaurant, probably by celeb chef Jonathan Waxman. Utter the word "artisanal" and the hordes of Joneses come screaming. I dread this. Just in time, the place is up for full liquor license approval this month, not under the name "Meat," as rumored, but "Penmanship" at 124 1st Ave.

I don't know if this is Waxman or another restaurateur, but remember: High-end begets high-end. Every time one of these places comes to a neighborhood, the prices go up, the property-sharks attack, and we're hemorrhaging evictions.



Go to CB3's SLA & Economic Development Committee meeting on Monday, June 16, 6:30pm, at the JASA/Green Residence, 200 East 5th Street at Bowery. Take a look at the docket for that night--it is chock full (including an application for Frank's sidewalk cafe, which has plenty of neighbors angry). Let them know what you want.

The East Village is turning into Meatpacking East. We don't need more upscale restaurants spilling drunken socialites onto the already overcrowded sidewalks. We don't need more noise and people blocking our doorways. Shouldn't the people who live here have a say in what the neighborhood becomes? What would you like to see in Kurowycky's place instead?

Friday, June 6, 2008

Cosmos to Rokara

For quite awhile, Cosmos Parcels on 1st Ave between 7th and 8th has been empty. But recently there’s been activity inside. I went in one evening to find Kati Duncan, paint-spattered and covered in plaster dust, turning the 45-year-old Ukrainian packing and shipping shop into La Rokara, a jazz cafĂ©.


Kati will keep the Cosmos sign in the garden

Always suspicious of the new, I talked with Kati about her intentions and they sound good so far. A former East Villager, now Brooklynite, she’s been involved with the LES arts organization A Gathering of the Tribes for the past decade and currently serves on their Board of Directors. She told me, “I love the spirit of that organization--bringing together people from all different backgrounds, and focused on providing space and exposure to new and emerging artists, something I expect La Rokara to do as well, particularly for local artists.”

Kati has expanded the interior and is adding a garden out back. She plans to provide healthy, affordable food in “a comfortable, clean place to meet, eat, drink, enjoy, and feel at home” with “live music, local artists, and maybe some webcasts on areas of interest to this community.”

She hopes it's true that the East Village is starting to push back against super-luxury gentrification "by supporting places that respect the history, culture, and spirit of this neighborhood.”


vanished signage from the door

If change is inevitable, as so many like to remind me, and old businesses like Cosmos Parcels have to be replaced, then I hope their replacements will be in sync with some part of what has made the East Village so unique over the past century--take your pick from the mix of Eastern Europeans, artists, bohemians, laborers, outlaws, Puerto Ricans, punk rockers, queers, activists, intellectuals, etc.

The neighbors are suspicious of yet another restaurant/bar in the neighborhood, but unlike many newcomers, this one seems to have heart and the intention of bringing a little of the vanishing East Village into the new EVill. So I'm optimistic about La Rokara.

Don't say I never looked on the bright side.

Wednesday, June 4, 2008

Notes to the City

Someone is leaving notes around the East Village. Sad, lonely, plaintive little notes. Handwritten on torn squares of paper. Poetic, sentimental, angry notes.

This one from 2nd and 10th says, "This neighborhood of Bird and Ginsberg, junkies and fags, troubadours of the land, vanished like smoke from the towers. It's so lonely here now...gimme back my city and its ghosts..."

The last line echoes Kerouac, reading with Steve Allen from On the Road: "Walking off alone, the last I saw of him, he rounded a corner of Seventh Avenue. Eyes on the street ahead, intent [or bent] to it again. Gone!”



Is this a kindred soul, this voice crying in the wilderness, "Oh Manahatta, why have you forsaken me?"

You might not see these notes in the jumble of ads and other paper junk taped to the lightpoles and mailboxes and plywood walls. But keep an eye out for them. If you find one, please take a photo and post it on the Vanishing NY flickr page. I feel compelled to collect them.

Monday, June 2, 2008

Inside the New International

I spent a morning chatting with Shawn Dahl, proprietor, with Molly Mulholland Fitch, of the new International Bar at 7th St and 1st Ave. For months now, Shawn and Molly have been working hard to put the International back together, combining, as Shawn said, “Something old, something new, something borrowed, and something blue. It’s like a marriage.” And June 18 will be the big day.


More International Bar pics on my flickr

While most of the place was gutted and dumped in a Dumpster (including the upside-down Christmas tree), much of it remains, along with pieces of other places. The vintage bar comes from the Raccoon Lodge of York Ave. The tables are a mix of International salvage and pieces from their shuttered neighbor, La Casalinga. The vintage cash register came from third-generation cash-register restorer Brian Faerman. The gold-leaf signage was done by a guy named Kirk, though some of the letters are original (RNATION). The wall sconces and much of the artwork hung in the old bar. And the graffiti on the rear windows was made by numerous bathroom-users back in the day.



Shawn and Molly are neighborhood people and hope to recreate a neighborhood bar. Said Shawn, “We want a great place for people to hang out. A living room. Just a place to come and drink.” They’ll be opening at noon to attract the thirsty locals.

Being green and economical, they’re keeping the lighting dim, and the dark purple walls and brown varnished wood create a warm, cave-like atmosphere. For those who bemoan their choice to move the bar from the right side of the room to the left, Shawn gives a rundown of the bar’s history.



The International Bar & Grill began on St. Mark’s (see 1979 photo) in the hands of Mary Petruno who moved it to its current spot when she bought the building. She put the bar on the left side of the new space. When she died in 1988, her son Michael (the “Sacred Cowboy”) took it over and moved the bar to the right side where it stayed after his death in 1992 and throughout the years when his partner, Joy Jackson, ran the place. After Joy’s death in 2002, without a will, the International and its building floated in limbo. It was sold and gutted, then sold again, this time to uber-landlord Steve Croman. The bar is actually now back in its original place.



When Molly and Shawn open on June 18, the jukebox will be filled with Molly’s favorite albums (she’s the musical one, guitar player for the rock band Glass Hand), an eclectic unexpected mix that will include: The Who Sellout, The Shaggs, Charley Pride, and REM. (I put in a request for The Smiths.) On tap, you’ll find Yuengling, Grolsch, and Stella, with Schaeffer in the can, “Nothing fancy.”

Many of the bar’s former regulars have stopped by to check it out. They generally approve of the freshening up and Shawn assures us that, while it’s cleaner than before, “It will accumulate its own grime over the years.” She hopes people will “feel as comfortable here as they did in the old seedy place.”

Wednesday, May 28, 2008

R&S Strauss

Recently, Curbed reported that the R&S Strauss auto parts shop on 14th and Ave C has gone on the market for $13 million, thus further pushing the eastern end of 14th towards possible luxurification.



I figured I better get in there and check it out. Browsing around car accessory stores is fun. Even when you don't own a car. There are many creative air fresheners, decals both sexy and scary, and novelty seat covers to discover. At this location, you will also find plenty of bling to trick out and generally "pimp" your ride. I asked the salesgirl if they were closing and she said, "No way! If we are, nobody's telling us!"



Strauss is an old company. According to their history, the R&S in the name refers to the store's founders, Harry Roth and Herman Schlenger, who opened their first shop in 1919. The Strauss part belongs to a guy named Izzy they merged with in 1983. It is now a global chain.

Chain or not, its loss from the eastern ass-end of 14th will still be cause for grief if it means what we think it means--an opening for the overall Meatpacking effect that is rippling up and down this main artery to reach deep into the East Village. The site has "flagship opportunity" written all over it. And all it would take is some brave "revolutionary" like Diane Von Furstenberg to move in and there goes the neighborhood. If she, and those like her, were willing to suffer the stink and blood of dead carcasses, what will they care about housing projects and powerplants?

And as we've seen from cupcakes and Marc Jacobs, the ripple effect grows quickly and powerfully. What will the loss of Strauss beget for an entire neighborhood?

Fear This!

Tuesday, May 27, 2008

Charlie's Lives

Back in December I reported that the 41-year-old store Yes! This Is Charlie's would be forced to close due to rising rents on the eastern end of 14th Street.

More recently, The Villager reported on the March 31 closure, quoting manager Danny Rodriguez: “Mostly outsiders are moving in, and they couldn’t care less about us. All the new shops don’t cater to the people here. You feel like an outsider in your own neighborhood. To be honest, I don’t think they even want us here. They would love it if little by little we would just get out so they can move into our apartments."



Curbed picked up that story and their commenters confirmed Danny's suspicions, saying "Cry me a river," and "There's still too many poor people in Manhattan mucking up the City," and "Let them live in the outer boroughs where they belong," etc.

Curbed speculates that the eastern end of 14th is doomed, thanks to the "A Building, with its rooftop pool and glassed-in wealthy residents," along with other changes in the area, including Stuyvesant Town's frat-house transformation and the possible $13 million sale of R&S Strauss at Avenue C. I have to agree.



But the good new is...Charlie's lives! They found a new spot, miraculously, on Ave C between 10th and 11th. It's smaller than the last place, but still filled with odd coloring books, greeting cards in plastic tubs, and rolls of crepe paper. When I was there, two women walked in and greeted Charlie with kisses, saying, "We found you! Thank God--and we're sending everybody over."

Help spread the word, before Charlie's is eventually pushed again, next time off Ave C. This one neighborhood shop is still surviving in a city ever-filling with people who are pointedly, unabashedly, and aggressively hostile to the mere existence of places like it.

Thursday, May 22, 2008

When Condos Kill

Back in November I made the rather predictable prediction that the low-rise buildings on the southeast corner of 14th and 3rd would soon fall. Curbed confirmed it in December, revealing the big, glass-box monstrosity to come. And this week, the corner has fallen into rubble.

before:


after:

more pics of 14th and 3rd

I don't think it's a coincidence that this corner has come down so soon after the rise of the Toll Brothers' gargantua, 110 Third. It seems that wherever luxury condos sprout, their low-rise neighbors come down within months. Is it condoschmerz, that killer virus, that poisons everything in the vicinity?

Look at what has happened to the block of 6th Avenue between 17th and 18th. Earlier this year, the super-expensive ($1400 a square foot) 100 West 18th condo moved in and quickly added a chainbank-trifecta of Chase, Modell's, and Duane Reade on its first floors.

before:


Today, the rest of the block, except for one holdout frame shop, has shuttered. Two video shops closed, including Red Light District, which moved to 8th and 21st. New York City Bagels is closed and For Rent. And World Famous Pizza, on the corner of 17th, is already gutted and halfway to renovated. That's four small businesses dropped dead. Let's not be surprised when these low-rises come crashing down for yet another glass box.

after:


look who's come to visit the dead pizza corner!

more pics of 17th and 6th

The debate here is not about the inherent value of bagel shops, adult video stores, and tanning salons. It's about the breakneck pace of destruction in this town and the way luxury buildings commit mass murder--not only do they destroy the businesses and homes they immediately replace, they also have a domino effect. Just being in proximity to them is hazardous to the health of the city's diversity and human scale.

So what's next to go? My crystal ball says it will be the southwest corner of 14th and 3rd, where these low buildings look like doomed woodland creatures trembling in the crosshairs of the Toll Brothers' big gun:

before:

Wednesday, May 21, 2008

St. Brigid's Saved!

Good news! St. Brigid's Church on Ave B has been saved by an anonymous donor. Maybe there is hope in Mudville after all. Rob Hollander, of Save the LES, sent the news and he is lining up interviews and TV cameras will be there today in front of the church. City Room has more info on the deal. I wonder, could the donor be Matt Dillon? That would be kinda hot. Especially if he shouted, "Do it for Johnny!" before writing the check.


Photo by William Alatriste

I've long loved the church because it is the butter-yellow beauty that inspired Frank O'Hara's Hymns of St. Bridget, as in:

"How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget's steeple leaning a little to the left..."
--from Steps

(It had steeples until the 1960s.)


photo by Bob Arihood: see his great pics here

And here is another from Frank:

Hymn to St. Bridget’s Steeple

It is to you, bending limp and ridiculous, on Ninth
Street, that I turn. colder than usual after a summer
of lime and smoke. I think you are the first of Ireland’s
saints, or the last, it doesn’t matter you are my dream
of an actual winter with your icicle hat and your arms
which somehow seem square like something I couldn’t see but
guessed at in the last Reinhardt I looked at. It wasn’t
black, it was red, like New York if you’re waste and
contained, or maybe maroon, like my heart which I imagine
inside me, although it looks black to you, St. Bridget,
although it is quiet and in need of filling. Please tell me
what it means “to pump,” as if I were a well
growing upwards and into a steeple which someone who cares
names my own, for always to face the dullest wind,
and you should know, St. Bridget.

Tuesday, May 20, 2008

Requiem for the Toy Tower

This morning I found some time to go over to the 6B Garden and watch the Tower of Toys be taken apart. It was an oddly hypnotic, elegant sight to see. Eddie Boros' sculpture, I am happy to say, did not go gentle into that good night. It resisted. Plank by plank, rusty nail by rusty nail, it fought back against the chainsaw and the cherry picker. A tangle of wood, wires, ropes, toys, and other junk, the tower, in its undoing, was perhaps just as regal as it was in its making.



The man with the chainsaw pulled on a hobby horse and the animal refused to budge. He tugged a board and was confounded. He placed a few strategic cuts, sending down a shower of golden sawdust. He tugged again. The sculpture resisted. He cut again. Withholding, restrained, the tower surrendered a few bits and pieces, which the man sent plummeting with a crash to the garden below.



Man and sculpture became--and it may be too sentimental to say so--like a pair of dancers, or boxers, moving from strike, to clutch, to separation. He tugged and the tower responded by twisting and swaying. He bumped and the tower shimmied. And like a tease, now and then, the tower relented, giving up a plank of wood, a silver ball, a string of Christmas lights, a bucket of water that tipped and cascaded down the length of the structure, foamy and brown.



Gradually, the tower gave in to the man's patient cajoling and coaxing. That little hobby horse that had at first resisted him, now seemed to leap into the man's hands. A lover to the end, he did not drop the horse. He lowered his cherry picker to the ground and gently, gently placed the toy upon a green bed of flowers.

Dare I say it? The tower has gone out the way it came in--with poetry and defiance and a fair share of beauty.

Monday, May 19, 2008

Toy Tower Falls Today

My tipster tells me the Parks Department is in the 6B Garden right now and is dismantling Eddie Boros' Tower of Toys today until 2:00. They will continue tomorrow morning at 8:00 until it's finished.



The big orange cherry picker is picking away, dumping a piece of East Village history into the toy-gathering Dumpster of Death. Sob.

Just in: Curbed has lots of gruesome pics and reports the workers are letting tower-lovers walk away with souvenirs. Get 'em while they last!

As an aside, last week NY Mag offered an IM of mixed emotions about the tower. And may I say to Cristal that "it made me think of RENT" is not a good reason to love the Toy Tower. "Eek! Shit-covered toys hanging from the sky," however, is a pretty good reason.

12th & A Fills Out

For about the past year, the four corners of 12th and A have sat empty. (Click here for more info and photos.) The former small businesses that occupied the spots were mostly pushed out by rising rents--I believe these were all part of the big, bad East Village Portfolio. And, I imagine, the landlord has been keeping them vacant as they held out for something hot to come along. Well, it looks like they may have finally given up, as a few new places have moved in and none of them look hot.

Dave's Electric Motors & Pumps is now a gypsy fortune-teller joint (those bellydancers just happened to be hanging out there after the Dance Parade):



The former sites of Gino the Royal Tailor and a copy shop have been combined for Furry Land Pet Supplies:



And the southeast corner (formerly the Cock) looks like it's going to be a restaurant with a kind of UGLY WTF Russian mob-styled exterior decor that has already been commented on by a critical graffiti artist who might also have been expecting something a little more Meatpacky:



Keep in mind, there is still more to rent. Next to the gypsy joint, where the Metropolitan funeral home used to be, there is a rather well-fortified blue plywood fence that's airtight, impossible to see through, and I suspect that means something top-secret fancy is going in there, but overall, I'm quite pleased to report that these corners have remained cozily crapalicious. And that just might mean that Westbrook, in a deal that booted several residents from their business and homes, lost out on their big buy.

Thursday, May 15, 2008

Neurotics vs. Narcissists

Smackdown! It's the neurotics vs. the narcissists as two of my favorite celebs, Woody Allen and Larry David, take over the East Village and Lower East Side for Allen's new movie.


See lots more photos by Lorcan Otway

They're at Cafe Mogador. They're at Yonah Schimmel's. They're everywhere! But can this follicly challenged dynamic duo from old-school New York take back the city for the rest of us neurotics?

Or will we lose it forever to the always-a-good-hair-day narcissists who, with the Sex and the City movie juggernaut on their side, aim to make "Lower East-Packing" the site of their "next douchey makeover"?

The tide might be turning as psychoanalysis gets a rennaissance and more and more New Yorkers complain about the deleterious effects of too much SATC.

Go Woody! Go Larry! Yay team!

(And before anybody helpfully informs me that Woody and Larry, like all celebs, are narcissistic, let me say that everybody's narcissistic to some degree--it's good to have healthy narcissism. Again, I am talking about the personality disorder, which is different. For more info, see Yunnies.)


  • See Time Out's guide to hating Sex and the City on more douchification: "With the ladies of SATC came careening tour buses, gaggles of fratboys puking outside Hogs & Heifers and rows of women linked at the elbows mowing down pedestrians."

Friday, May 9, 2008

A Blondie on the Bowery

The Best of Blondie (on 8-track) was the first album I ever picked out and bought for myself; at 12 years old, the most thrillingly sexy song in my pubescent world was “Rapture.” So it was a special treat recently to find myself talking with Blondie co-founder and guitarist Chris Stein about the Bowery, CBGB, NYU, and the coming of Blade Runner.



I asked him what he thinks about Varvatos moving into CBGB and he replied, “Ah, what the fuck. What are you gonna complain about that for? The issue is much bigger. The Lower East Side, the city--it's all dead. I’m just waiting for economic collapse. It’s gonna be full-on Blade Runner.”

While the CBGB-to-Varvatos shift doesn't particularly trouble him, he said, “I’m not okay with what happened to the whole city. It’s a drag. Look at the fucking Fillmore, it’s a fucking bank. NYU, man. I protested when they tore down Edgar Allen Poe’s house. Edgar Allen Poe! You’d think any university would be thrilled to have that on their campus. NYU is fucking demented.”

"Everybody who helped add to the cachet of the city can’t live there anymore. The biggest shame is that everybody’s gotta have a job to live in the city now. There’s no time to make art. How can you keep your credibility if you have some stupid job you hate and still be a radical? I never had a job ever. I painted a bathroom once and that was it. I was in the band for 30 years.”


photo: Roberta Bayley

In the 1970s Chris lived on the Bowery, over a liquor store and across from what is now, as he puts it, “that museum thing.” He started going to hear music at CBGB before he met Debbie Harry, back in the summer before CB’s opened in 1973, maybe in 1972, when the place was still Hilly’s on the Bowery. There he saw Eric Emerson, Warhol star and member of The Magic Tramps. By the mid-70s he was a CBGB regular, playing with Harry. I asked him what he misses most about the old Bowery.

“Dead bodies and drugs!” he answered without hesitation, “I miss having to watch your back—it keeps you in a heightened state.”

Chris lives in a different heightened state these days, upstate with his wife and kids. But he still returns to his place in the East Village. While he enjoys wandering around the city now, he finds it’s “getting more and more Walt Disney.” And the people on the streets just aren’t the same. “Everyone’s got a driven aggressiveness, all these young people with an ‘I’m gonna get somewhere’ attitude. Everybody’s money conscious, materialistic."


photo: Marcia Resnick

He talked about what he calls the “everyone is hip syndrome,” saying, “There are so many people in the city who exude this false hipness that’s mostly based on what they are wearing or their hairdo or tattoos--a lot of just plain old straight people who are 'styled.’ The reason that the beats and maybe the punks could qualify for a less transient hipness is that they were a fucking minority."

So what's the solution to all this rampant false hipness and aggressive consumerism?

"We need a recession, it’s good for the arts. Man, I’d like it to be like Blade Runner, everything on the verge of collapse.” And the Blade Runner days will come, Chris says, when China and other foreign markets rise to economic power and take over the city. But on the other hand, “Like, 50% of the world has never made a phone call.”

Cue the opening riff of “Call Me” as Chris hustles off the phone to chase his little girls outside into the sunshine of a beautiful day far, far away from the vanishing New York.


CBGB mural, photo by Chris Stein: "There was a great mural on the wall of all these bums. The bums were actual guys. Hilly could tell you their names. It was a very cool, very weird mural. Did Varvatos keep it?"