Thursday, May 16, 2013

Wojnarowicz Digitized

Gallerist brings the news that "New York University’s Fales Library has completed digitizing the journals of artist David Wojnarowicz and has released them all online."



Wojnarowicz did a lot in his short life. The library gives this description: "David Wojnarowicz was a painter, writer, photographer, filmmaker, performer, and activist. He made super-8 films, created the photographic series 'Arthur Rimbaud in New York,' performed in the band Three Teens Kill 4 - No Motive, and exhibited his work in well known East Village galleries. In 1985, he was included in the Whitney Biennial, the so-called 'Graffiti Show.' He died of AIDS on July 22, 1992. The David Wojnarowicz Papers includes journals, correspondence, manuscripts, photography, film, video and audio works, source and production materials, objects, and ephemera."

The journals span 1971 - 1991 and many are set in New York--in the Village and on the Lower East Side. The artist writes about hot knishes at an "ancient knish palace" on East Houston, and the characters playing bocce by Second Avenue, where winos set up their wash buckets for cars.



The pages are not transcribed into digital text, but photographed, so you see the diarist's handwriting, his typing, the corners of his notebook paper, his scratch-outs and doodles. Bits of ephemera are glued to the pages--take-out Chinese menus, news clippings about artists, ads for music shows.



What sort of future "papers" will we have after the Digital Age? Who keeps real journals anymore? In a world where, increasingly, we no longer have the thing itself (Dinge an Sich), to have the thing at least reproduced as it is--in blue ink and pencil, with sticky glue stains and faded newsprint--is a thrill.



View the diaries online here. If you'd like to read the diaries in print, check out In the Shadow of the American Dream.







Wednesday, May 15, 2013

New York 1971

It's always exciting to stumble upon someone's collection of scanned photos on Flickr featuring scenes from the lost city. Michael Jacobi (Gentle Giant) has two collections called "New York 1971"--one bunch of color photos and another bunch of black and whites.



The color photos were taken by his father, Hans Jacobi, and Michael did the black and whites as a kid. In just 65 photos, we go from Times Square down to the Village, Chinatown, and out to Coney Island.



The streets have a bit of grit, but it's only 1971. They're not yet grim. (I was excited to find the elusive Elpine drink stand in two shots.)



There are scenes of Hare Krishnas banging their drums. And those South American street musicians who've apparently been around forever. And women with magnificent afros shopping for art on the sidewalk at what looks like 11th and University.



You'll also find shots looking through shop windows, into collections of souvenirs and junk you don't find anymore--exploding snakes in joke cans of mixed nuts and big-eyed guys proclaiming, "I love you this much." (Remember Times Square's shops selling "Back Date Magazines"? There's still one that remains.)

They're large photos, too, so you can zoom in to see details. Click here and here to see more.



Tuesday, May 14, 2013

Katz's at 125

Katz's deli is crowded in the middle of a weekday afternoon, packed with tourists. All the tables are taken. Seats are being saved. I drift into the back with my hot dog and chocolate egg cream, and find an empty table. An older lady approaches, bearing a tray of fries, pastrami sandwich, and a Doc Brown's cream soda. I motion for her to sit.



Her name is Norma, she lives in Chinatown, and she's been coming to Katz's since she was a girl in the 1940s. "There were four of us kids," she says, "and my father would cut this pastrami sandwich into four pieces, one piece for each of us. That was plenty." Katz's pastrami sandwich is big. Norma only intends to eat half of it, saving the other half to eat in the morning with fried eggs.

"Please," she says, "help me with these French fries." So I do.

A young man asks if he can join us. He's wearing a Katz's t-shirt and carrying a brisket sandwich on a plate. He's friendly, chatting with Norma and me. I figure maybe he's a busboy or a ticket giver. He tells us he's the fifth-generation owner (or third-generation, if you're being picky). He says, "See that sign on the wall that says 'Jake's Bar Mitzvah'? I'm Jake."

Son of Alan, grandson of Martin (a close friend of the original owners), Jake Dell is a mensch. He talks with a boyish passion and excitement about Katz's, the way another guy his age might gush about working for the Yankees--or running an empire of artisanal gastropubs. I ask him how he got involved in the family business. "Since the womb," he says, laughing. "I was handing out tickets when I was six years old." But owning Katz's was never the plan.

Jake was pre-med, with plans to go on to medical school, when he took a year off after college to help out his dad at the deli. "I fell in love with the place, and everything about it made me realize that this is who I was meant to be." He never went on to become a doctor. "When I told my parents I wanted to do this, my mother said, 'Are you sure? Let's think about it,' but my father was grinning from ear to ear."



Before Jake came on board, the future of Katz's was uncertain. His father and uncle were getting older, ready to retire. It was 2009. The neighborhood was filling up with more and more condo towers and luxury hotels. While the family owns the building, rumors circulated that Katz's was not long for this world. Jake says, "I just couldn't imagine it becoming a condo, or having someone else running it. I could not handle that. So it was an easy decision. If I wasn't here, this place would disappear."

Jake loves his job. He loves talking to people and seeing them happy. He loves the food and its traditions. Katz's makes all their pickles in the basement, and behind the dining room wall there's a refrigerated room where 40,000 pounds of meat are pickling. Jake eats three meals a day at the deli. When asked about his heart health, he says, "I go to the doctor a lot to make sure I'm okay." He has no interest in updating the menu. His favorite dish is pastrami on rye, with a little mustard, washed down with a Doc Brown's black cherry soda. (Egg creams are for lighter fare, like hot dogs.)

He has zero interest in changing anything about Katz's. "If we keep things the same," he says, "that's what people love. It's nostalgia."

But he did come up with the idea to deliver--and to celebrate Katz's 125th anniversary with a street party on June 2. "We're shutting down Orchard Street. There's going to be klezmer music, maybe some old vaudeville acts, and a pastrami eating contest. Joey Chestnut, the hot dog eating champ, is going to be here. He told me to set aside six pounds of pastrami for him. He's going to eat it in ten minutes. Six pounds of pastrami! That's a lot of pastrami."



After Jake goes back to work, Norma and I talk and keep working on her pile of French fries. She tells me how she used to go to school with a hot Katz's knish in one pocket, to keep her hands warm on winter mornings, and a pickle in the other. But no matter how many layers of paper she used to wrap the pickle in, her teacher could always smell its strong fragrance, and she'd be forced to throw it out.

"So many memories here," she says. "It sounds silly, but every time I come to this place, I feel spiritually connected to my father."

I tell her there's nothing silly about that. Then we talk more about Katz's and about Jake, how lucky we are to have him, to keep Katz's going. I marvel at how a young man would give up a career in medicine to run the family deli. "That's very rare," I say.

Norma throws up her hands and says, "Oh, we have enough doctors. We don't need any more doctors. We need places like this. It's good for your soul."



Monday, May 13, 2013

Joe's Dairy

VANISHED

As we shared here last week, Joe's Dairy closed this weekend to retail customers. They served their last sandwiches on Friday evening. On Saturday, with lines out the door and the tip jar overflowing, it was all about the mozzarella. News photographers and reporters went in and out, aiming to capture something vanishing before their eyes.



As it often happens on these last days, the staff was surprised by the sudden outpouring of love. Vincent Campanelli told WPIX 11, "You think you’re selling cheese, and you start going up layers, it’s a whole of a lot more than you thought."

Customers gave their condolences, along with last-minute advice, "You should've put up a website, got on Facebook," and some dire predictions, "Marc Jacobs will probably move into this space next." Even with mom and pops vanishing all over town, it's hard to understand how, in a time and place where faux "artisanal" food is all the rage, actual artisanal food can't succeed.



But this wasn't the usual case of hiked rent. Some at Joe's said it was due to a shrinking customer base. One reader reported that owner Anthony Campanelli drove in to work on Wednesday and "it just struck him--'I can't do this anymore.' He was going to just close up and not tell anyone. He wanted to leave quietly. But then word got out and all the hoopla ensued... He, his wife and his daughter all told me that today is a happy day."

Mr. Campanelli told James and Karla Murray in 2008, "When I’m ready to retire, it will probably be a lost art in my family because I have a daughter but I won’t allow her to do this. It’s a lot of hard work. It’s not that a woman couldn’t do it, but you have to get up really early and work long hours. I feel like I do this because I chose to. Nobody asked me to do it. This is what I wanted to do but I wouldn’t suggest it to anyone."



Why don't we have more people like the Campanellis to keep our longstanding mom and pops going when Mom and Pop can't do it anymore? In 1977, they took Joe's over from Joe Aiello and they didn't glamorize it, they just kept doing what had been done. Why don't we have more people who want to keep traditions alive without twisting them into something exclusive?

If someone new took it over today, chances are it wouldn't be Joe's Dairy anymore. It would be Faux Joe's, some upscale reproduction with luxury prices and the clientele to match. They'd reproduce the sign to look like the old sign, only spiffed up. They'd serve "The Campanelli," a mozzarella and prosciutto panini drizzled with truffle oil and slapped with a $35 price tag. They'd have lines out the door every day. In their interview for New York magazine, they'd defend themselves to their critics, "We saved this place. A lot of banks and Starbucks were looking to move in here. No, it's not the same as before. What we're doing is an homage."

Here's a true homage, a documentary about Joe's directed by Piero Iberti and produced with Jeremy Zalben, due out this summer--online and (hopefully) in theaters:


Joe's Dairy (Teaser) from 10Block Productions on Vimeo.

I asked the filmmakers some questions about Joe's Dairy and their film. Here are their answers:

Piero Iberti: My parents first discovered Joe’s when they were going to Soho gallery openings in the early 1980s. As I grew up nearby, I began to frequent Joe’s on a regular basis. I'm a native New Yorker and, at the heart of it, I wanted to capture a New York story that was important and resonant to me. On a basic level, I wanted to know how they made the cheese. I was interested in finding out the story of the people, the shop, and who this Joe was.

Jeremy Zalben: We both grew up in the East Village, 10 blocks away from each other. I never personally experienced Joe’s growing up, but when Piero told me about it, I knew it was an important story that needed to be shared with people.

Piero: I found out about the closing the night before and couldn't believe it when I heard. I frantically called Jeremy to tell him, and scrambled to phone those close to me who knew the store as well. I knew I had to be there the next day.

Jeremy: When Piero called me and told me, I didn’t believe him. I told him to call Vincent at the shop to see if this was actually true. I was truly surprised. When we first started out making the film two years ago, no part of me thought that the end of Joe’s would come before we could put our film out.

Piero: The city has lost a tremendous cultural force with the closing of Joe’s. It has also lost a piece of its identity and what makes New York, New York. One of the main motivations we had in making this movie was to capture that old New York feel that still existed because of shops like Joe’s. Now that feeling is on the verge of extinction. With less and less "mom and pop" stores around to provide that character, I’m not sure it's possible to retain it anymore.

Jeremy: For me, the city has lost another piece of what made New York such a special place. Stores like Joe’s are what made people want to live in New York. Joe’s provided a place where you could go, not just for a piece of smoked mozzarella, but to see your neighbors while waiting in line, to have a conversation with Ro behind the counter, or say hi to Vincent and Anthony while they worked on the cheese in the back. Unfortunately, people don’t want that anymore. They would rather go into a store, buy what they want, and go. I don’t think it’s possible for New York to ever be what it used to be.

Friday, May 10, 2013

Dojo's

VANISHING

For the second time today, Ken of Greenwich Village Daily Photo shares some shocking bad news on his Facebook page. Now he tells us that the sole surviving Dojo, by NYU, is closing.



He writes, "Rent increase will force one of the best healthy, inexpensive restaurants in the Village to close this summer. Bartender said it 'will reopen as something entirely different.'"

Dojo has been around since 1974. It began as the Ice Cream Connection on St. Mark's Place, complete with druggie flavors. When the Dojo on St. Mark's shuttered, the one on West 4th remained. Says the Dojo website, "Dojo went through hippie years, drug years, New York’s first blackout in 1970s, Avenue B Houston and 14th Street riot, pop art culture movement with Jasper Johns, Andy Warhol...you get the picture."

Now it's goodbye delicious and cheap soy burger dinner. Goodbye carrot-ginger dressing invented in 1973. Hello 7-Eleven, Starbucks, Subway, cupcake bakery...whatever the zombie machine churns out next.


Joe's Dairy

VANISHING

Ken of Greenwich Village Daily Photo says, by way of his Facebook page, that "After 60 years in business Joe's Dairy will close Saturday, citing poor walk-in sales. Their wholesale business will remain."

A call to the store confirms they're open today and tomorrow until 6:00pm--and then it's over.



I wrote a little about Joe's and its across-the-street neighbor, Pino's, in 2009. We're talking about the loss of one of the last pieces of an almost completely vanished Italian neighborhood.

In this film by Brian Dube, he talks to the Joe's Dairy guys. They discuss the day when Joe's will eventually close and how the city has been "yuppified." Dube says, "We want to be way, way back. You want to be at the Gap, Starbucks, or you want to be way, way back?"

"Oh no, please," says the owner. "Who wants to pay $7 for a cup of coffee?" God forbid that's what comes to this space next.



Go to Joe's today or tomorrow for a last, fresh, handmade mozzarella sandwich. And fuck Soho while you're at it.

Here's how they make the mozzarella.





*Everyday Chatter

"Big Nick’s Burger & Pizza Joint has been in limbo for months, as its landlord has said he will hike the restaurant’s rent by about $20,000 a month. 'It’s some kind of torture,'" says Nick. "I can't sleep at night." Send your Big Nick memories to West Side Rag and help brighten Nick's day. [WSR]

Help restore Jim Power's Mosaic Trail. [EVG]

Lower East Side bohemian Taylor Mead has died of a stroke after a long battle with his landlord. [TLD]

Take a walk with a Walker in the City. [WIC]

Fantastic shots of 42nd Street in the 1990s before it was bulldozed and sanitized. [NYC90s]

Inside those $10 apartments that used to be the Mars Bar building. [Gothamist]

Top editors abruptly leave the Village Voice. [NYT]

Some good old-school signs. [ENY]

And now...7-Elevens are coming in two-story sizes. [DNA]

Saturday May 11: Check out super-8 films on the "iconography of the city, queerness, and grrl culture"--including scenes of the East Village in the 90s. [MF]