Friday, November 30, 2007

International Bar

Since at least the 1980s, the International Bar on 1st Ave. and 7th St. was a haven for neighborhood drunks and punks. It closed in 2005 under mysterious circumstances and the space has been for rent since. I happened by one day when the realtors were showing the place to a group of entrepreneurs armed with measuring tape and plans to turn the International into a more upscale-sounding bar -- I heard them muttering something about "wall sconces." But that was a while ago and the FOR RENT sign is still there.



In its lifetime, there was nothing upscale about the International. I spoke recently with Rebecca, a long-time habitué and graduate of the old Stuyvesant High School (when it used to be on 15th and 1st), who recalls going to the bar after school with friends and being served alcohol as a teen.

“It was my entrĂ©e into the adult world, where I first met the people I wanted to become. But when you took a step back, you saw they were fucked up people. I mean, what kind of 40-year-old really wants to hang out with a teenager? It took me awhile to figure out that these were perhaps not my best role models.”

She recalls a dark room strung year-round with Christmas tree lights, a long bar with rickety tables in the back, and patrons who brought in their scruffy dogs. “It was one of those friendly not-friendly places—the bartenders were bristly but ultimately welcoming.”



After graduating high school, she had rare occasion to visit the International, but found herself there the night of the 2003 blackout. “It was exciting. People were on the streets, sitting on stoops, drinking beer and actually talking to each other. The International was open. They had candles burning. They were serving beer and letting people smoke at the bar, although smoking was already illegal. It felt like the 80s."

When the bar shut down, its fans were left without a sense of closure. Said Rebecca, “It was unceremonious. There was no warning. I would have liked to go in for a last drink. But it was just over. No nothing. It was just goodbye. But that was totally in character. At the International, it was always no frills.”


View more remains of the International on my flickr

Thursday, November 29, 2007

*Random Shots

The Apple Store in the landmarked Western Beef building is getting ready for its Dec 7 opening, but the most interesting part of the building (to me, anyway) is this odd sign for World Examining Works. The name comes up at another address in a 1930 directory and may have been a cloth sponging works. If anyone knows more, do tell.


More glass for Balazs...


...less meat scraps for the seagulls, here seen hunting for remnants between Balasz and Von Furstenberg.


I found this photo in a great flickr stream, everystreetinmanhattan: Here's what used to be before the Cooper Square Hotel knocked down the block:

New York Lost

As our city continues to vanish, more and more people are asking the question, “Has New York lost its soul?” And discovering the answer is yes, they are working to preserve whatever is left – through writing, photography, filmmaking, painting, etc. Documentary filmmaker Reed Fulton Korach is one of these people and his short film, New York Lost, is his attempt to hold on to our city.


In Little Italy: "I expected something like Goodfellas and...it’s more like You’ve Got Mail."

In the film, Korach interviews everyday New Yorkers on the street, small-business owners, as well as public figures such as Sion Misrahi, the developer who is transforming the Lower East Side into a luxury locale. Through it all runs the question, “Has New York lost some of the magic and verve it once had?”

The answers are mixed, depending on who’s doing the talking. Misrahi seems to disagree, envisioning a future filled with “air and light” and “tall buildings.” I guess people who live in his tall buildings will have air and light, but what about the rest of us? Mike Rizzuto, a Fulton Fish Market worker, misses his air and light. The new market at Hunts Point, he says, “is basically a prison. We lost a lot in that fish market.”


"I invested 35 yrs down in that fish market and it became a part of me."

Korach was inspired to make this film after the old Fulton Fish Market closed down and he realized that the city of his birth was slipping away. His mission, he told me “is to make people aware of what's going on in a visual way, and let them decide for themselves whether or not the change is good.”

Guardian Angels founder Curtis Sliwa, responding to the corporate homogenization of the city, says, "Maybe the trendoids, jetsetters, and freakazoids of Manhattan...can dig on that, but if you're a borough boy...you just take umbrage to this."

Mike Gallagher of Gallagher’s Gallery and Archive on East 12th is firmly in the “not good” camp, as he says, “It’s like they’re raping the landscape… It’s a lost, lost, lost place.”


"The Village is not the Village anymore."

It's always comforting to hear my own sentiments echoed by others, but I like the fact that Korach doesn’t just speak to the nostalgists, he also interviews people who believe these devastating changes are for the better. I find it fascinating to hear from these people and I’d like to see someone make an entire film that investigates their thinking and behavior.

One guy on the Lower East Side, for example, really wants the city to be “nice.” He says, “I think it’s great to have a lot of restaurants. It makes things convenient and nice... It would definitely be very nice if the city and developers were to take an active role in making everything nicer.”


"Everybody likes Whole Foods down here, I’m sure, except for a few renegades."

It's true that there are only a few renegades left around here. And if a renegade is someone who hates to see New York turning into Cloneville, then Reed Korach is one. He told me, “Change can be good, and I am all for change, but when change means replicating every block to look the same and wiping out family-owned businesses and raising the rents so high only the super wealthy can live here, this is not the kind of change that is for the better.”

Wednesday, November 28, 2007

*Everyday Chatter

Can Chumley's really "put the inside back in" the way it was after the devastation? [Observer]

The real New York just isn't New York enough for the big screen. As the city's authenticity vanishes, we'll see more and more of this. [Gothamist]

The Times profiles the machers who are frantically smoothing the Bowery's "rough edges." The Cooper Square Hotel expects to open next summer. The Bouwerie Lane Theater will be condos and retail. The broker for the "other" part of CBGB's hopes for a jewelry shop or "a nice little place that will stay open late." But, no matter what, these down-to-earth folks all want to preserve the funky, rough-edged character of the Bowery. [NYT]

Unleashed, Columbia University takes aim at Harlem's Cotton Club. Said the club's owner to the Voice, "I want it to go down in history, go down through my family. That's the American way, right?" [Queens Crap]

Tell New York magazine why you love the city -- I know, it's getting harder, the reasons are fewer and fewer, but something's still keeping us here. I'm also curious.

A panel of developers is asked if the city is becoming only for the rich -- and they kinda, sorta don't really answer the question. [City Room]

The NYPD is entrapping lucky finders and do-gooders as thieves. I've returned every lost wallet I've ever found. If there's ID, I track down the owner. No ID, then it's mine. Fair and square. Whatever happened to finder's keepers, loser's weepers? [NYT]

1551 Broadway

A magazine writer emailed me yesterday in a search for the lost buildings of 2007. Many buildings come to mind. The smaller ones seem to fall away from memory -- they go so quickly and without warning. It's hard sometimes to remember what was where. But the one that stands out in my mind, perhaps more than any other, is 1551 Broadway, the former home of Times Square's last Howard Johnson's and the Gaiety Burlesk.


photo: my flickr

The 112-year-old building was not a beauty, but it held a lot of New York history -- right down to the bricks, which came from the Shultz Brick Company and probably traveled down the Hudson River to get here from a once-thriving industry now vanished.

The Childs Company bought the property from the Martel family of France in 1920 for $400,000. In this photo from the same year, it held Park Taylor clothing and, upstairs, Wilson's Dancing Studio, where Henry Miller fell in love with June Edith Smith in 1923.


photo source: NYPL

Wilson's later became the Orpheum Dance Palace, a taxi-dance hall that closed in 1964, soon after journalist Liz Trotta went undercover there, posing as a dancer to write an expose (which I would love to read, if anyone can find it). It then became the New Paris, which went from the "All-Live Whirly-Girly Revue Big-Time Vaudeville" house to a 1970s swinging place where live sex acts were performed on mattresses fragrant with bodily fluids. The Gaiety also most likely opened during that same sticky decade.

Thanks to owner Morris Rubinstein, Howard Johnson's came to the corner in 1959, around about the time this photo was taken:


photo source: hojoland

In the New York Times in 1988, Morris Rubinstein (then 79) said of 1551, "As long as the Lord will spare me in this world, it's not for sale...What am I going to do with the money? I already give to charity. What else do I need? What would I do with $20 million? Would I have a better cup of coffee? Would I get a better sandwich?" But the Lord could not spare Morris forever and in 2005 the building was sold by the Rubinsteins, along with two other properties, for over $100 million. The Gaiety closed and was soon followed by Howard Johnson's.

For two years, 1551 stood partly fallen, the demolition halted by the intrusion of a refreshment bar belonging to the Lunt-Fontanne, formerly the Globe Theater, whose Broadway lobby stood next to 1551.


photo source: NY Times


Globe in 1930s with Orpheum sign on 1551

It wasn't until sometime late this summer that the demolition continued to its completion and 1551 fell back into a pile of bricks, each of them holding untold secrets and sensations, each one stamped over a century ago with the name Shultz.


my flickr

Tuesday, November 27, 2007

P&G Bar



We've been hearing about the P&G Bar's impending doom for a while now. Recently, The Observer observed that the storefront is being torn apart. And yesterday, the Metro had a story on the old neighborhood saloon and its probable closing. This is sad news for the Upper West Side.

I went into the bar not too long ago, had a few drinks, and took a few pictures of what owner Tom Chahalis calls the "ambiance." It's the ambiance of old bars, places like McHale's and Corner Bistro. It's soft, worn wood, walls turned brown by tobacco smoke, the ocher glow of dim lamps. It's the smell of beer and the silence of solemn drinkers. It's an old-shoe feeling, a broken-in comfort you can't get from the new. And it's going fast from every corner of our city.





At the P&G, they've got a petition you can sign, but as we know, petitions do little in the face of 80% rent increases. Still, it's worth going in and adding your name to the list of people who want to save a place filled with history and meaning, a place that provides free turkey on Thanksgiving, a place its patrons call "my church."

“I’m kind of hurt," Mr. Chahalis told the Metro, "after all these years, to feel like you’re not wanted anymore." Sadly, in today's New York, Mr. Chahalis is not alone in that feeling.


photos from my flickr

*Everyday Chatter

The 18-year-old bodega at 14th and 3rd is moving. The whole low-rise building looks doomed. I predict that we'll see it all go -- the tanning salon, the cell-phone store, even the XXX DVD shop, which happens to have the last peepshows/buddy booths on a corner that only a decade ago was loaded with porn and frequented by hookers:


How do they say Merry Christmas in the McMansions of Rockaway? With giant toy soldiers overshadowing teeny-weeny Jesuses and some good old-fashioned, plush-on-plush dog humping:


Columbia gets closer to bulldozing Harlem (with likely use of state-sponsored eminent domain) and, as usual, many blog commenters applaud the legalized theft. [City Room]

Barbara Corcoran advises her readers to find up-and-coming, gentrifiable areas by looking for old ladies on park benches. I guess the next step is to wrestle those same old ladies off their benches and boot them out of town. [Curbed]

Jahn's ice-cream shop in Richmond Hill, Queens, is closing down after 110 years. Forgotten NY says there's one left open in Jackson Heights. Looks like it's time for a trip. [Ed's MB]

Here's a little East Village wishful thinking:

Monday, November 26, 2007

Ken Friedman at Sucelt

This weekend I went back to Sucelt for another helping of beans and rice, empanadas, and a cup of morir sornando, a frothy milk and juice shake whose name aptly translates to “die dreaming.” While waiting for my beverage I joined a conversation between the owner, Jehnny Novarro, and one of her regulars. They were talking regretfully about Sucelt’s December 24 closing. “Maybe it’s for the best,” Ms. Novarro said with a shrug, “I have to think this way so my heart won’t break.”

The regular introduced himself as Ken Friedman, co-owner of The Spotted Pig, a restaurant I’d never heard of before. “I’m always looking at restaurant spaces,” he told Ms. Novarro, “Maybe I can find something for you in the area.”

“I’m thinking about a place in New Jersey,” she said, “Here the rents are too much. I would have to double my prices — and more. I cannot do that to my customers. They are working people, poor people. I cannot do that to them.” She’d rather go out of business than fail to serve her faithful.



As Ms. Novarro went back to her work, I talked more with Ken, a scruffy, quietly affable guy who loves Sucelt so much he eats there three times a week. It was at Sucelt, he said, that he and his chef found the inspiration for their popular cubano sandwich.

Ken told me he came from California and has a passion for old New York. (He enjoys reading this blog and gave me an impromptu interview.) The Spotted Pig, he explained, is housed in an 1849 building that lived many lives--as a carriage house, a Dutch flophouse, and a tavern. “We tried to make it look like the Hudson riverside pubs,” he said of his meticulous restoration efforts, “so now we’ve got a nice fake old place.” But he also enjoys the city’s real old places, like Katz’s, Corner Bistro, and Ess-A-Bagel. “New York wasn’t meant to be all banks and Starbucks,” he said, “We need places like this.”

As he left to go, Ken told me to stop by The Pig sometime and also to check out an interview with him in this week’s Observer. At home, online, I read the interview — and discovered what many New Yorkers apparently know already: The Spotted Pig is a celebrity hotspot backed by powerhouse investors, including Mario Batali, Bono, Michael Stipe, and Fatboy Slim.


Ken enjoying a magnificent Sucelt empanada

Now that I know how much clout Ken has, I want to present him (and any others in a similar position) with a friendly challenge. Businesses like The Spotted Pig are creating and benefiting from the new affluence of New York. The culture in which they thrive raises rents that push out small shops like Sucelt. What if we had a system where each big guy “adopted” a little guy, by providing investors and mentorship, to keep them from vanishing?

Before I left Sucelt the other day, I told Ms. Novarro about the Essex Street Market and she was interested. This location would provide the perfect atmosphere in which Sucelt could thrive -- without raising prices. The market has small spaces, like the one Shopsin’s occupies. It has a strong Spanish-speaking, working-class customer base, just like Sucelt has now. It also attracts that new Lower East Side money -- and that makes investors happy. Sucelt is beloved by celebrities and working people alike.

So, what do you say Ken? You have the power to save a real old place that you genuinely love, the place that gave you its signature sandwich. Let’s show the city there’s still room for two “best cubanos” in town.

Now, before my readers jump on me for "consorting with the enemy," I have to ask: Would it be better to let Sucelt and places like it vanish forever from New York? I'm not sure the answer is yes.

*Everyday Chatter

Remember the too-short Venetian blinds that hung in the condo windows at 110 3rd? Well, the same curtain-challenged tenants are trying yet another ill-advised window treatment--this time it's shrunk-in-the-wash-sized tab curtains hung mid-window by adhesive plastic hooks:


Meanwhile, most of their neighbors at 110 3rd don't even bother with curtains. Why conceal such cookie-cutter condo lives?


An armed robber has been knocking off small, women-owned businesses in the East Village. He hit Dinosaur Hill a few weeks ago. The owner of the shop has distributed a flyer in which she describes the man as "very efficient and professional," with a mustache, British accent, and "big soulful brown eyes." Forgive me, but this bandit sounds like a rather dashing character--did he make his getaway by swinging on a velvet rope?

The Willets Point Industry & Realty Association is fighting the city's plan to use eminent domain to seize properties in the Iron Triangle of Queens. To help make their case at the City Council hearing on 11/29, they've put together this compelling video about the businessmen in the area: [WPIRA]

On the Upper East Side, motley old newsracks are being replaced by silvery Cemusa-style dispensers. I'm sure the Municipal Arts Society will be happy to see this, after launching their Nasty Newsracks contest, but I worry about yet more uniformity marching down our island (P.S. That pink sign in the background is announcing another Cashmere Mafia shoot):


The removal of a bodega's awning on 10th St. has revealed a set of vintage Cost and Revs wheat-paste posters, circa 1992. I dialed the phone number to find it's been disconnected, but it used to belong to someone who called herself the Grandma of Graff. Where is she now? And whatever happened to the artists' plan to "tear the city to pieces and rebuild it"?

Wednesday, November 21, 2007

Happy Dancing on the LES

I went for a walk through the lower Lower East Side the other day, to see what had vanished and what still remains. I passed the wreckage of Gertel's bakery, a heap of twisted metal and rubble behind plywood fencing and a stop work order. Next door, not long ago, there used to be a wonderful candy and nut shop called Kadouri & Sons.



The old signage of the area is quickly vanishing, but this cool Bondy sign remains. And at Eldridge and Canal, I was greatly relieved to find that the Cup & Saucer Luncheonette still stands. I had a grilled cheese (on Pechter's rye) and potato salad.





Directly across Canal from the luncheonette, half a block is being demolished. I later did a little research and found that the "BEN" neon sign once stood for Beny's Authorized Sales and Service. In business for 50 years, the shop was run by Jerry Cohen who repaired lighters like Zippos and Ronsons. According to Curbed, once this structure comes down, a 16-story retail/residential tower designed by Peter Poon will take its place. I recommend you enjoy the Cup & Saucer before this happens. Its days are surely numbered.


Click this link for a Before shot of the above

Right behind the Cup & Saucer, I went into 39 Eldridge where a sign for Happy Dancing Club led me up a set of warped and filthy stairs, past locked doors scrawled with Chinese lettering in magic marker. I came to a slightly open steel door that had no knob. Romantic Chinese music flowed out from within. A homemade shrine sat on the floor, candles flickering.

I definitely got a "this is a brothel" kind of vibe and it took me several minutes to get up the courage to pull the door open. Inside, behind a curtain, Chinese couples danced around in an elegant circle beneath disco lights and red lanterns. I thought: Not a brothel, but maybe a taxi-dance hall? And yet some of the couples were made up of two elderly men. Men and women sat in chairs against the walls. They all turned to look at me when I peered inside.



While I later discovered that this same address did, in fact, once house a brothel, I think this dance hall is legit. A kindly older woman waved me in, smiling. She gave me a business card printed with the name "Zhou" and the number 646-662-3828.

If anyone speaks Chinese, I'd appreciate it if you could call Zhou for me and find out what the deal is. If it's simply a matter of paying a fee to spend an afternoon dancing, I'd like to give it a try--before this mysterious place, like many others, vanishes too.

*Everyday Chatter

There's a new sign up at Jade Mountain: In red neon-lit, Germanic-style letters it says SHOOLBRED'S.


At 14th and 5th: A Chase bank is opening soon right across the street from...another Chase bank! You can't have too many, can you?

And you can't have too many Rite Aids, either: "Drugstore shoppers in Sunnyside are seeing double these days... Two Rite Aid pharmacies have set up shop right next to one another at 46-12 and 46-02 Greenpoint Ave., with a third store just three blocks away." [NYDN]

"Well-heeled" yunnies are sucking the marrow out of the bones of the Lower East Side. But that's not news, now is it? [Gawker]

Is it happening? The bodega on 4th Ave. and 10th St. looks like it's being demolished--the big yellow Dumpster has arrived. Does this mean the East Village's latest luxe hotel is on its way--or am I still just spreading scary rumors?


This Elizabeth Currid sounds like she's written a good book. I'll let her words answer the many who like to tell me to give up on Manhattan because art and culture are just thriving like crazy in the outer boroughs:

"Part of what makes art and culture work so effectively in New York is that art and culture thrive in a very dense environment... Also the fact that, historically, creative people tend to like to live in the same neighborhoods... They can’t do that anymore, now they end up at best scattered in some far out place in Queens. And they’re not actually having an artistic community...these neighborhoods are so rapidly gentrifying that the minute an artistic community gets its own space, it’s quickly usurped by Starbucks and investment bankers. Places like Williamsburg are already no longer artistic communities for young artists in the way we hoped they would be." [Gothamist]

Tuesday, November 20, 2007

Sucelt Coffee Shop

VANISHING: 12/24/07

From out of the cold yesterday, I stepped into the warm and cozy hole-in-the-wall of the Sucelt Coffee Shop for a lunch of beans and rice topped with soft plantains, and heard the sad news that, after 31 years on 14th St and 7th Ave, the shop is closing.





Most of the customers in the crowded shop are Spanish-speaking regulars, but there was one new guy at the counter. Like all newcomers, he was warmly welcomed and embraced by the maternal, gemutlich atmosphere created by the waitstaff, a trio of smiling ladies who are easy to laugh and who care for you like kindly, brisk, efficient aunties.



A newcomer laughs with the ladies of Sucelt



This newcomer was so excited by his home-cooked meal, he exclaimed to the ladies as he was rising to go, "I'm glad I found this place--I'm going to come back all the time!"

"You better come back soon," said one of the ladies, "We're closing forever December 24."

"Oh no," said the man, "What happened?"

"We lost our lease. On the day Jesus was born, that's the day we go."

"That's just terrible," the man said, shaking his head, "It's happening all over my neighborhood, too." Then he wished the ladies good luck, put on his hat, and walked back out into the cold, abandoned once again by his city.



Click image below to read New Yorker review 6/12/00:

*Random Shots

According to a tipster on the scene, about 35 people showed up for last night's protest of the Cooper Square Hotel and its plans to add 3 new bars, including a 200-person capacity outdoor entertainment venue. "It's gone too far," they chanted, "not another bar!" Was anybody listening? (See more protest pics on flickr.) Update: Eater's got video.



At Astor Place, as one mega-chain goes out, another comes in next door. Given the choice, I'll take the B&N over the Walgreens (or the David Barton gym that's coming) any day. And look, Walgreens has escalators, how exciting, just like the Kmart across the street!


Speaking of fancy-pants gyms, I love it when yuppies attack each other. And here's one in the East Village taking a piss on another one's Lexus:


Getting more glass, condo Yves continues to turn fishtank green:


The abandoned Bamboo House cat is available for adoption at Social Tees. Says his rescuer, "He's very sweet, but a little sad right now." He also smells like egg roll. Kidding. His teeth have been cleaned, he's been neutered, and tested negative. Why not take home a warm little souvenir of our vanishing New York?

Monday, November 19, 2007

*Everyday Chatter

Jade Mountain has lost its beautiful neon sign. First they painted it black, now they've removed the sign. The Chow Mein pink neon still stands--but where has Jade Mountain gone?


Photographer Fred McDarrah died. This was over a week ago, but I just found out. He did great work, a real chronicler of the Village scene in mid-century, and he was a nice guy, too. [NYT Obit] [NPR] [Voice]

The Bronx is tearing down gorgeous Queen Annes with wraparound porches to replace them with lawnless Fedders boxes--and they're doing it at breakneck speed. Who are we? [Forgotten NY]

Despite neighbors' protestations, the Trump Soho continues to rise and armor itself in a reflective sheath of dark glass.


As Varvatos moves to the Bowery, Debbie Harry recalls, "I think it's not a romantic place for me anymore... There were so many great opportunities for artists and young people. We could be paupers and still have a great time." Not anymore. [Voice]

Bamboo House (& Cat)

The Bamboo House Chinese restaurant on 2nd Ave and 6th St is closed. I took these pictures back in August when I saw the For Rent sign. That day, when I ordered what was to be my final lunch of cashew chicken and egg roll, I asked the owner if he was closing. He adamantly told me, "No, no, no. That sign is for another place." But Bamboo House had all the markings of a vanishing business.



The place was empty. The snake plants on the windowsills, the EXOTIC neon sign, the paper lanterns, everything was covered with a gray fur of dust. The workers sat, as they often did, at a booth and noisily slurped noodle soup, their paper hats tilted back on their heads. A rabbit-eared television played cartoons for a child whose mother busily peeled peas.



I used to like to go there with dates and soak up the melancholy Edward Hopper feeling. This morning, in the rain, I went by to see if the flickr tip I got last night was correct. It was. Bamboo House is a shambles, tables upturned, plates stacked on the floor, the paper lanterns and neon sign ripped out. Apparently, they also tossed out a cat, who was luckily rescued, according to this craigslist post. We live in a disposable city.

Today's photos. Could they be renovating?



Friday, November 16, 2007

*Everyday Chatter

Mooney's Pub has been in Brooklyn since 1967. It was evicted from 7th Ave in 1987, to which Kevin Mooney said, "They don't want bars on Seventh Avenue anymore...It was very, very sad, but we have to cope with the times." I guess that now applies to Flatbush Ave, because Mooney's is being evicted again. And now it's too late to get a souvenir t-shirt. [City Room]

Join the protest of Cooper Square Hotel's "obnoxious, skanky drunken hotspot" -- Monday night! [Curbed]

Mike Albo, once a bitter 1990s East Villager, overcomes nostalgia, breaks out of the past's prison, accepts the new "fashiony" reality, and plunks down $189 for a henley. Okay. I am not altogether anti-shopping and I get the lure of "nice, soft-draping" things -- but a henley? [NY Times]

A friend and former roommate from my early-90s days just reminded me that an unknown neighbor used to go up and down the streets around Avenue B topping piles of dog poo with rainbow sprinkles. Maybe that's when the "fashiony phase" of the EV really began.

30 Great Jones is coming down. This is one of those photos that sums up what is happening to our city, piece by piece: The old, made from warm, ornamented stone, comes down as the flat, cold, glass of the new looms behind. [Curbed]


New York is going sin-free? Get ready to say goodbye to the town's OTBs. Here's hoping some gifted photographer will go out and capture the men and women who frequent these gambling parlors before they are all gone. [AMNY]

Photographer of the vanishing city Harvey Wang has his first feature film, The Last New Yorker, premiering tomorrow night. Check out the trailer here.

NYU looks to gobble up another 6 million square feet of the east and west villages. [City Room]

Panopticon Metropolis


photo: NY Times

The Times recently published an enlightening article that attempts to answer the question of why we have this proliferation of giant glass condos. It's all about primitive narcissistic woundings -- and the subsequent desperation to be seen. Says psychologist Sherry Turkle, "people are no longer certain where the self resides."

Narcissism is not mentioned in the article, but Professor Turkle is a Lacanian scholar, so she surely knows a thing or two about The Gaze.


my flickr

The windows in these condos--sold as "oversized" and "monolithic"--enable the people inside to be seen. At night, they also operate as gigantic two-way mirrors: the occupant sees himself and is simultaneously seen by others. This is what good-enough mothers do for their babies--they mirror the baby so the baby sees herself and is also seen. This helps the baby to develop a strong sense of self. Narcissistic mothers fail to mirror their children.



Such children will forever seek out mother's eyes. And the bigger, the better. What big eyes you have! The better to see you with, my dear. Note the popularity of oversized sunglasses. They not only mimic the large eyes of mothers, they also reflect the object's image to the self. Viewer and viewed, both in giant sunglasses, mirror each other when face to face. I see you, you see me. And yet their actual eyes are hidden, protected from the possibility of true connection, which feels frightening, perhaps because this deep need will be denied.

We all long to be seen, recognized.

The longing to be seen and mirrored is also leading us deeper into a surveillance society. Not only are we surrounded by cameras and RFID tracking devices, every glass-covered condo is, in a sense, a panopticon. But it's a prison chosen and beloved by its residents.



The real-estate machine seems to know this and condos are sold as "eye candy" with "high visibility." The newly rising Oculus condo gets right to the point. The word Oculus is Latin for "eye." It also refers to a motif in prehistoric art that Wikipedia says "may represent the watchful gaze of a god or goddess." This is like the watchful, protective gaze of the mother or father--the gaze that was missing from the early childhoods of people with narcissistic personality disorder.

Why do these young narcissists flood into New York? Naturally, anyone seeking the Gaze would be attracted to a place where there are 8 million pairs of eyes by which to be seen.

Thursday, November 15, 2007

Unlocked Baby Strollers

I got a bit of flack for my post Unstolen Bike, about a girl who didn't lock her bike outside the Chase bank in the East Village. So, at the risk of being told to shut up and getting accused of supporting murder, I offer the following: What is up with all the Village mommies who leave hundreds of dollars worth of strollers unlocked outside their pediatrician's office on 11th Street?



An online review of this pediatrician led me to one mommy's complaint that the steps you have to walk down are a potential barrier to care. About the doc's services she notes:

Pros: Patient and not condescending
Cons:
Hard to get down the steps with a stroller

We're talking about maybe three steps here.



Which reminds me: Yesterday I was entering an old Village building with an elevator man, the kind occupied by a mix of aging intellectuals and new yuppies. A smartly dressed yuppie mommy came in with a poodle on a leash and her Bugaboo laden with shopping bags. I held the door for her and followed her in, where the elevator man held his door and did all the necessary driving. She didn't even have to push a button. When she got out, pulling the stroller and poodle along with her, she sighed and said, "God, this is such a production."

I don't think so. Parents, correct me if I am wrong, but a production is having a baby in a walkup. A production is having to lug your baby, your dog, maybe another small child, and your stroller up and down five flights of stairs every day.

A production is not when you have doors held open for you and elevators manned for you. It is not having to drag your stroller down three steps to visit your brass-plaque and brownstone pediatrician. And it is also not about having the money to easily replace your belongings when they're stolen.

One more thing: While I might relish future news of these strollers getting swiped, I hope I never have to read about one of these mommies triumphantly finding her stolen Bumbleride through some chat-room heroics.

Random Shots

Here's that $4,000 robotic hawk the anti-pigeon powers are, um, hawking. Kind of cute, in a robot sort of way:




In Village Paper's window, the Zagat guide bursts out of this guy's gut like Ridley Scott's Alien. Did they mean to conjure a metaphor of murderous viral invasion -- or was it something he ate?




This poster for Save St. Brigid renders the threatened East Village church under a creeping, tarry black ooze that looks a lot like the evil Cooper Square Hotel. An inspired dark vision of the future.




Graffiti on banks! The trying-to-be-trendy East Village North Fork says "Graff Is Money" and the new condo/Valley National at 18th and 8th gets its cherry popped with its first graffiti, thanks to one Misz Bubblez Bytch, who says, "Fuck 18 street" and, while you're at it, "Fuck ya bytches" [sic] too.






The construction shroud has come off the new Apple Store in the Meatpacking District. I thought they'd have some neato, gee-whiz, like, super-powered robots under here. What exactly were they hiding?




Free Cell on 2nd and St. Mark's has been evicted. I can't say I'm crying. Cell phones are the bane of my existence and I won't miss the guy who used to bark "Free cell! Free cell!" while trying to force a flyer on me every time I walked by. But I do wonder what fresh hell will replace the joint, especially now that there's a scaffold around the building.



Wednesday, November 14, 2007

*Everyday Chatter

The Manhattan Apocalypse is coming--if only in some guys' apartment. [Gothamist]

The New Museum of Contemporary Art is also coming--the banners are all over town and the New Yorker speculates that this "abrasive" tower that "contrasts dramatically with its setting" will be "powerless to prevent SoHo from following it to the Bowery." [NYer]

Pigeon czar to unleash $4,000 robotic hawk to rid city of pigeons. Okay, I know these birds are little more than rats with wings, but isn't this just another assault on the urban? What will the city spend thousands of dollars in technology to get rid of next? Unicyclists who ride around with parrots on their shoulders? (Actually, I wouldn't mind sending an electronic hawk after some of those guys.) [mcbrooklyn]

Speaking of hawks, check out these flesh and blood beauties of Tompkins Square Park (emphasis on the blood). [NMNL]

At least someone still loves the city critters. [NY Shitty]

Found Poem

As a post-script to my last post on the condofication of the South Slope, I offer this darkly hopeful snapshot of a doorway near 5th Ave and 9th St, where it seems some Slopers are keeping it real by taking dumps in this cozy corner. To them, Anonymous has chalked a poem.



The accent grave over the second E in "condemned" is an interesting choice. The em-dashes are reminiscent of Dickinson. Overall, the poem has a spare and simple, haiku-style quality. And I especially like the unexpected rhyming of "species" and "feces":

Dump no garbage
here!
Join the human
species--
Don't dump
--even feces!

(While we're in the neighborhood, fellow fist-shaker, blogger, and JVNY fan Flaming Pablum reminds us to ask "What Happened to Smith?")

Tuesday, November 13, 2007

South Slope

Some people, those living in the outer boroughs, like to tell me that New York is not vanishing at all because it's still alive and well in places like Queens and Brooklyn. But as we know, these boroughs are vanishing, too, neighborhood by neighborhood, and it's only a matter of time before they are completely sheathed in glass and Starbucks.

Park Slope’s South Slope, for example, is rapidly becoming condo-ized. Over the past year, at astonishing speed, sleepy little blocks long made up of working-class, aluminum-sided townhouses, brick and tar-paper tenements have been systematically leveled and rebuilt to look like the rest of the former city.


558 5th Ave rising over soon-vanishing neon sign

Much has been said about 16th Street. In just one block, there are more than half a dozen new developments. Between 5th and 6th Aves, there's Suite 16 at #198-210, something with semi-lunar balconies at #226, a primed empty lot at #228, Prospect Gardens at #251, The Athena at #245, and a rather dull gray number at #231 that has really upset the neighbors. Go across 5th and you've got the big, bad, controversial Vue.


#226 16th Street


#245 16th Street


#231 16th St.

Walk down 5th Ave and there's another condo building at #558 rising above the low-rise 99-cent stores, bodegas, and nail salons. A fenced lot at #514, surrounded by stone foundations, is littered with antique iron columns. At 13th Street, there is the monstrous #515 -- it used to be a Salvation Army where a chain-smoking woman at the back door presided over mounds of donated clothing, computers, and paperback books.


#558 5th Avenue


#515 5th Avenue

If 16th Street is over, 13th Street has just begun.

At the corner of 13th and 6th, there's a massive McFrankenMansion. It began its life as a multi-family tenement. Someone with the taste and sensibility of Russian mobsters added several rickety-looking roofdecks, suburban-style stonefacing, and an "exhibitionist special" glass-encased central stairway. The result is a three-car garage, single-family monstrosity.


McFrankenMansion


13th Street's new fuck-you finger

Further up the block, amid low-rise brick buildings and odd little houses with front porches, another sore-thumb asserts itself as different, special, and immune to the established rules and norms of the block. In a word: narcissistic.

Interestingly, both of these developments, like many of those going up in the South Slope, are topped by an extra turret-like structure, a mini-tower that makes the buildings look like they’re giving the fuck-you finger to the neighborhood. Which, in a very real sense, they are.

Monday, November 12, 2007

Generation Y(unnie)

Update: Yahoo provides a handy guide to Millennials.



Last night, 60 Minutes had a story about Millennials, the generation of 80 million kids born between 1980 and 1995. Morley Safer asks "who's to blame for the narcissistic praise hounds now taking over the office," and, I must add, the streets, the movie theaters, the subways, the media, everything.

From the 60 Minutes story, here are a few nuggets about Gen Y (Generation Yunnie?):
  • They believe anyone over 30 is "old, redundant, should be retired." This is their attitude not only about human beings, but also about mom-and-pop businesses, old buildings, and ways of life. They value only the young and the new.
  • Helicopter parents actually call their children's bosses and HR departments to complain about Junior's bad performance evaluations, the same way they complained to teachers about unsatisfactory grades.
  • Says one of these kids, he wants lots of praise from his boss: "We want to hear it and truly we'd love for our parents to know. There's nothing better than Mom getting that letter saying, 'You know, Ryan did a great job. Yeah, I just wanted to let you know you raised a fantastic son.'"
  • They cannot tolerate being told what to do or how to do it. Millions of dollars are being spent on consultants who tell bosses, basically, "Sweet talk these kids. Don't express disappointment in them. Praise them, let them arrange work around their yoga schedules, and give them lots of rewards--just for showing up."


As 60 Minutes says, these kids were "raised by doting parents who told them they are special" and "They are laden with trophies just for participating." Now, consultants to companies are telling managers to continue this same enabling behavior.

This does nothing to actually support a person's true self. People with narcissistic personalities may appear to be "shiny, happy" people, but, truly, they are empty people. They spent their entire lives being puffed up with empty praise and empty rewards, while their true selves were ignored or shut down. Consequently, they do not feel connected to themselves and have great difficulty connecting with others.

The extreme end of narcissism is sociopathy. What will our city, and our world, look like when it is controlled by 100 million sociopaths?

Friday, November 9, 2007

Another Bowery Tower

Last night Community Board 2's Zoning Committee held a hearing to discuss a 15-story building that is being planned for 4th Street and Bowery. Roving tipster Sally Young was there and sent me her report.

“The meeting was a complete waste of time,” she said, as the plan is already a done deal. The development project was approved by Landmarks, who wanted to save the Skidmore House. In the deal, the developers were given a 99-year lease and allowed to build, provided they restore Skidmore.


source: curbed

• Skidmore house will be rented as a luxury single-family dwelling.
• Between Skidmore House and Merchant’s House there will be a small park--which basically exists so its air rights can be used to build the 15-story residential tower. The tower has only one setback at 63 feet.
• The ground floor of the tower will house retail and there is accommodation for one bar/restaurant seating 100 people.

Sally reports:
“What was approved for Community Board 2 did not take into consideration what's going on across the street, in Community Board 3. JASA residents were there with their canes and wheelchairs and were shut down, and even yelled at. All they wanted to say is that the noise, construction now, bar life soon, and diminishing light (can they grow plants in their windows?) is impacting their lives. Short lives, I may add, since many are elderly and have lived in this neighborhood their whole lives.

Most people left with the feeling that this meeting was just information on what is going to happen. There was no allowance for community input. A person from zoning told us, and he seemed very sympathetic, that it is a done deal and the only thing that could be done is to sue Landmarks over passing this. This will never happen.”

Soon all those yunnies who get trashed on cosmos at BBar can just stumble right across the street and home.

Harlem's 125th St.

There's been a lot of news lately about the steamroller of gentrification in Harlem, so I went to take a look.



First I fueled up on waffles and fried chicken at Sylvia's lunch counter, where the menu proudly proclaims that the restaurant "survived the social unrest of the 60s, the recession of the 70s, the decay of the 80s, the Renaissance of the 90s, and the devolvement of the Millennium." I think they meant to write "development" there, but "devolvement" does seem more appropriate, meaning “to pass or transfer to another” and “to deteriorate gradually.”

You have only to walk along 125th Street to see both forms of devolvement in action as black Harlem deteriorates, the property passing from local businesses and residents to major corporations and developments. For now, in places, the two continue to coexist.



Above a Rite-Aid, a second-floor hallway reveals a row of small jeans shops, hair-braiding salons, and graffiti on the wall that says, "Because we are from Africa the landlord do not want to clean the building this has been since last year..." Where a Harlem Gift Shop used to be, a Cold Stone Creamery banner announces its arrival next to the Body Shop. White people, sticking together, clamor around the Rhapsody on Fifth Avenue luxury condo sales office.



Ghosts of old Harlem haunt the side streets. The Mt. Morris Baths, closed in 2003, gathers dust and detritus. La Famille Restaurant and Jazz club, opened in 1958, is papered with movie posters. The dilapidated Corn Exchange Bank is scaffolded and draped for renovation. I don’t know what it will become, but I can guess. And the controversial Harlem Park announces its imminent arrival.



A shop specializing in hats and shoes made of stingray, alligator, and ostrich skins, Men's Walker has been here since 1970. The owner, Kevin McGill, is unfazed by the pressures of gentrification. “When you’re black,” he told me, “you always feel the pressure. This is just a different beast.” His father first opened Men’s Walker as a shoe store and repair shop on the corner of 125th and Lenox. Business was good there. But in 2003, McGill was forced to move mid-block. He’s not doing as well as he used to. And his old location? After nearly 5 years, it’s still a vacant lot, no doubt waiting for rezoning to take effect so it can sprout a 25-story tower. McGill thinks it will be a luxury hotel and he hopes they’ll have room for him in their lobby.



Further west, the area around 125th and Frederick Douglass is under major pressure from that different beast. After 35 years, the Harlem Record Shack has lost its lease from the church that owns the building. The proprietor, Sikhulu Shange, is fighting back. Outside the shop, a man called to passersby to sign their petition. “Come on y’all,” he shouted, “Come save the Shack!” People stopped and signed.



Nearby, an entire block has been served with eviction notices to make room for a 100,000 square foot redevelopment. Bobby’s Happy House has been here for 61 years. In his window are awards, trophies, photographs, and a television playing footage of Michael Jackson in concert, the music booming out to the street from speakers. A few men gathered in front and danced along with Michael. Inside, friends and family members ate lunch, watching a reality show on TV. There wasn’t much to buy, just a handful of cassettes and a few CDs. I got an Ike and Tina Turner compilation. The cashier told me the shop will be gone by the first of the year.



Next door, Manna’s Soul Food buffet, one in a small local chain, was packed with a crowd filling their styrofoam platters with pig’s feet, fried swordfish, greens, mac and cheese. It, too, will soon be gone. At the register, there’s another petition gathering signatures.



But signatures aren’t much against the powerful forces at work in Harlem and all across New York. As one graffiti artist on 125th Street noted, “There's a Jena in every city,” referring to the Jena 6, “In Harlem we have Jena-trification.”

Thursday, November 8, 2007

*Everyday Chatter

I am trying to see the good in today's Coney Island redevelopment plan, because they booted Sitt and that's good, but I have to wonder: Will there really be a place in this Disney-Six-Flagsland for joints like Ruby's and Gregory & Paul's? [NYDN]



"the number of young children living in Manhattan increased by more than 30 percent between 2000 and 2006. And stroller-clogged sidewalks, child-friendly cafes ... confirm that it’s possible to raise children without moving to the suburbs." [NYT]

Speaking of city kids, tipster Sally tells me her young, pre-teen architecture students, many from affluent homes, now want to design hotels in their free time. While a few kids always had this wish, it used to be "only Hotels for Monkeys, and they had ongoing and intense hotel plans...for monkeys." Now I guess the kids today want their hotels filled with people who just act and think like monkeys.

Hotel Pennsylvania

11/9 update: Community Board 5 votes for preservation--but it's not over til it's over



After much news about the Hotel Pennsylvania's demise, requests from readers, and this dire article in the Times, I thought I'd better get up there fast. I found the hotel lobby packed with guests, most of them European, some still lingering after the marathon.

I spoke to bellhop Barrington Lovers, a name that conjures late-night radio and smooth jazz. Mr. Lovers has been a bellhop ("Don't call us bellboys, we've grown up") at the hotel for 21 years. He walked me through the lobby, pointing out all the businesses that have already closed or will soon be closing. Many shops were shuttered. The American Language Center, the one with all those "Learn English!" ads in the subways, will soon be gone. Vornado, the current owner, tends to keep its employees in the dark, pretending everything is alright, but the staff can read the signs and they are certain the end is near.





I asked Mr. Lovers what, if anything, remained from before the 1980s renovations. He pointed to the floor and said that was about it. The Grand Ballroom is now the set for the Maury Povich show. Cafe Rouge, where once the great big bands played, had become a Job Lot and is now the temporary studio for painting those big flowers on our city's cabs. Of course, the famous phone number remains, and if you dial Pennsylvania 6-5000 you'll hear the song it inspired.

Now and then, an elderly couple will come in to the hotel with photos of their honeymoon, wanting to revisit the room where they spent their first married night together. "They're the only ones who care about the hotel," Mr. Lovers told me, "Them and the Europeans. Most Americans, they don't care."





Being a bellhop isn't easy. Especially since the advent of wheeled suitcases. "If it was in my power," Mr. Lovers said, pointing to the line of guests checking in, "I would reinvent that wheel. I would make it square so it won't turn." Before wheels, he had more work to do and more tips to make. Luckily, he had several years before wheels came into fashion and he's managed to sock away enough tips so he can retire to his own business and won't need to find another job at another hotel, a thought that he dreads.

"Yes, my bag-carrying days will soon be over," he said, "But I can't say I'm relieved. You come to work every day and spend more time with these people than you do your own family. I gave the best years of my life to this place. But when corporate America makes up its mind, there's not much any of us can do about it."

Wednesday, November 7, 2007

*Everyday Chatter

Another luxe tower is coming to 4th and Bowery! On Thursday 11/8 at 6:45 pm, Community Board 2 will hold hearings on a 16-story building that is being proposed to rise across from BBar, up from the landmarked Tredwell Skidmore building. Go give 'em hell at the NYU Silver Building, 32 Waverly Place, room 520.

The Oculus is rising...does any condo have a creepier, more sinister Orwellian name?


Read coverage of a discussion on the book New York Calling and gentrification in NYC. John Strausbaugh steals the show as he says things like "the city as a cultural engine has been killed by what’s going on.” [City Room]

Now the city is selling off our public libraries to luxury hoteliers. Last I checked, these things kind of belonged to the, um, public. [Curbed]

Help empower Jim Power, the Mosaic Man who fled the EV for Brooklyn--and now has a roof over his head. [NMNL]

Morgan Spurlock's What Would Jesus Buy with Reverend Billy premieres at Cinema Village 11/16.

The 100 W. 18th condo gives birth to yet another bank--and this baby is big, taking up nearly half a block in each direction:

How SATC Killed NYC


Huffington Post: Bloomie in Pink

Yesterday, SI Live broke the news that Mayor Bloomberg will have a cameo appearance in the Sex and the City movie. How perfect that the billionaire mayor who is burying New York should have a role in the franchise that helped strangle it to death.


SATC fans pinking it up on tour

I know a lot of people just adore this show, but I believe that Sex and the City lifted New York's once-fledgling, minority yunnie culture to its current position of near-total dominance. And, right or wrong, I blame SATC (at least in part) for the demise of this city. Let's take a look at how it all began...


bratz: SATC spawn in condo sidewalk tunnel

1994:
In November, Bowery Bar opens on the site of an old gas station and the yunnies strike their first major blow against everything good about the Lower East Side, much to the chagrin of the neighbors. I remember a handmade, red flashing sign in the window of an apartment next door that said, "Cooper Union, how could you do this to us?" with an arrow pointing straight at Bowery Bar’s entrance.

The opening of “BBar” sets off a firestorm of opposition: "The NoHo Neighborhood Association and some members of Community Board 2 argue that the bar, and others they believe would open in its wake, will erode the character of the area by changing it from a haven for light industry and artists into a trendy night spot." Of course, that prediction was correct.

Shortly after the opening of Bowery Bar, Candace Bushnell’s “Sex and the City” column premieres in The Observer. In her first story, she describes a dinner she attended for Karl Lagerfeld at BBar.



1995:
In February, after a brief fight, Bowery Bar’s opponents settle with the owners and the bar is allowed to operate without a special zoning permit, thereby opening up the area for future development.

In the same year, Bushnell meets Beverly Hills 90210/Melrose Place TV producer Darren Star for the first time at -- you guessed it -- the Bowery Bar. He will later approach her with the idea to turn "Sex and the City" into a television show.

Unlike Community Board 2, the NoHo Neighborhood Association, and the SoHo Alliance, the person who made that flashing red sign didn't settle. It kept flashing its angry, plaintive message for years and would no doubt have been beaming right in the faces of Star and Bushnell when they entered BBar and East met West -- over cosmos. It was the beginning of the end. The Californication of New York City had officially begun.


Avalon Bowery gigantic condo/apt complex

Today:
I usually avoid that block, but I happened to walk by recently. The lone iconoclast who made that beseeching, blinking sign is long gone. The tenement building he or she lived in now looks like a luxury townhouse. Sex and the City the movie is filming all over town. Its fashion designs have turned “every woman into a clone of Carrie-fucking-Bradshaw." And the mayor eats it up with a silver spoon.

As for the Bowery, well, the Bowery gasps and trembles from the tremors of its own agonizing death rattle. Just like the rest of New York, it has become a world dominated by gossip girls and boys -- "and what an ugly, boring world it is."

Also see: How the Cupcake Crumbled

Tuesday, November 6, 2007

Varvatos Rocks CBGB's

A tipster sent me today's most hellacious press release announcing John Varvatos' move into the former CBGB's space. I'm not sure I can really do it justice. It is so mind-boggling, you really have to read it for yourself. However...


Varvatos nods to the Ramones -- at $110

To summarize, here are the bullet points attesting to the many ways in which John Varvatos is the perfect guy to put a store in this venerated space:

  • He is "known for infusing his personal passion for rock & roll into his acclaimed menswear collections"
  • He "has a real reverence for the history of the space and every intention of honoring its legacy"
  • He is an avid Led Zeppelin fan and "now features legendary rockers in his advertising campaigns"
  • "With a nod to The Ramones, Varvatos also collaborates with Converse on a line of sneakers and clothing."
  • The store will feature a "special merchandise mix geared to a rock & roll customer" such as "a stage permanently integrated into the store design"
  • PLUS: Alice Cooper says, "now all the old CBGB punks will become the best dressed CBGB punks in the world"
For those about to SHOP, John salutes you!

10th Street Baths Facelift

So far this week is turning out to be Extreme Makeover: The Vanishing New York edition, so here's one more. The 10th Street Baths is also sporting a tight new facelift.



I was walking down 10th Street this weekend when I saw this and thought, "Another bathhouse I've never seen before?" Until I realized where I was. Very disorienting. This feels like a municipal building in, I don't know, Cleveland?

While I do like the attempt to give the bathhouse an old look with that carved stone front, I find the whole building incredibly stark, cold, and blah. Especially with that crapalicious new apartment/condo next door. I miss the warm brick, the red stone stairs, the brown wooden door with its braided details and tile fanlight.

I think they also changed the ventilation system. Always, when you walked by, you got a strong and intoxicating lungfull of eucalyptus. Now, nothing.


pic of former facade from flickr

And for posterity, here's what the bathhouse looked like way before. This photo is untitled and I can't be positive it's 10th Street, but there is a hint of that braided door just discernible in the shadows. I love the signage here--you just don't see the word "chiropodist" enough these days.


photo from Naked City by Weegee

Makeovers

Jade Mountain has inexplicably been painted completely black. The sign is still there--is the $15-dollar burger joint that's supposedly coming planning to go with this Darth Vader look?



Dick's is getting a makeover, too, with new outsides and some blonde wood inside--it's not the dark old paneling of yesteryear. Do I smell a faux-Irish chain bar? (P.S. Joey of Curbed tells me Dick's is going to be the 12th Street Ale House...yeah, sounds like one of those suburby pubs.)



The Playpen gets draped in a demolition funeral shroud. There's a dumpster out back. It's nearly the end. I almost wish they would just hurry up and demolish the place so the pain will stop and the healing begin:



And Astor Place gets some new neon. I guess that's Walgreens trying to give an urban touch to their very suburban mega-chain. Is it working?

Monday, November 5, 2007

*Everyday Chatter

I saw this story on the news last night about the woman who left her $10,000 dogs tied by their Louis Vuitton leashes to a scaffold pole while she ate dinner and the dogs were stolen. She said on camera (I am paraphrasing), "People always tell me not to leave them tied up like that, because they could get stolen, but this is a safe--I mean, well--I still think that won't happen here." Maybe she and my unchained-bike girl should chat. [NYDN]

God, I want one of these cell-phone jammers. It's a fantasy come true. How could you ever feel guilty for it? Someone start lobbying to make these legal, please. [NYT]

In sad news, Norman Schapiro, owner of LES Schapiro Wines, has died. "His wife, Linda Schapiro, said yesterday that the fate of the business is undecided in the wake of his death." Time to stock up for the holidays. [Loho]

Lotus Lounge may be closed for good--did they finally fold under Starbucks' pressure? Some may remember, Lotus was opened by the guys who used to run Biblio's, which closed in the mid-90s after serving as a venue for NYC poets--many of the same folks who now frequent Bowery Poetry Club. [Eater]

Park Slope loses another indie bookstore. Lost City asks whether Slopers are truly literary and Brownstoner's commenters supply some insight, as many (not all) say good riddance to a shop that they found (1) too dusty, (2) didn't cater to kids, and (3) didn't have enough magazines. I guess that answers Lost City's question about the literary quality of many Slopers. [Lost City]

Teresa's Becomes Solex



Teresa's was a neighborhood Polish (right, not Ukrainian) restaurant in the East Village that served pierogis, blintzes, and the like. It closed this past spring after 22 years, they gutted it this summer, and it's now about to open as a French cafe and wine bar -- the second wine bar on the block, right next to Counter. This one will be called Solex. The name sounds very sleek and futuristic. Actually, it sounds like the perfect name for a new condo.


the proprietors checking wine glasses for flaws?

Was it named after the French motorized bicycle? Well, probably, since it's owned by the same guys who did Bar Veloce. Clearly, they like speedy bikes and Euro-sounding words. But Solex is also "a power source for robots," and that's a bit more interesting.

New York Magazine says Solex will be "serving lesser-known varietals and an oven-based menu of savory tarts, quiches, and soufflés."

Sounds exactly like fuel for robots. (Though I do enjoy a nice quiche from time to time myself.)


Friday, November 2, 2007

An East Village Death

Now and then, when I encounter it, I report the news here. Around 5:00 this evening I passed the scene of an accident where a man had just died. A member of a brick resurfacing crew, he was on a scaffold behind the Gringer appliances building on 1st Ave. and 2nd St., sweeping the third floor fire escape, when he fell to his death.



As I arrived, the man had just been taken into the ambulance. It was still idling, with no hurry, a sure sign that the man was already dead. A witness told me that the man had landed on the lower scaffold. Rescuers had to borrow a forklift from D&D Salvage next door to carry him down.



One of the salvage guys recounted watching the body descend on a board when "the blood just came out like a river." Another witness said the man "was all twisted up" and "the blood cascaded onto the sidewalk." The pavement was soaked from being hosed off. One of the man's co-workers said he was just 23 years old, from Pakistan, and about to be married in January.



As the onlookers walked away, after sharing bits of information passed from person to person, we told each other to "be careful" and "stay safe," in that way that New Yorkers do, from that odd sense of intimacy that comes to strangers after being close to another stranger's sudden death, as if we were all somehow touched by his misfortune and had just narrowly missed our own disasters.

*Everyday Chatter

God, I love Joey of Curbed's comic-book rendering of condo Yves' hideous promotional materials. Look at the yunnies in their natural habitat! Along with showering outdoors, note how they love to show off by bathing next to floor-to-ceiling blindless windows! [Curbed]

To update the ongoing saga at 18th and 8th: They listened to the neighbor's notes and took down their crappy barriers. Now the neighbors, along with the hordes of high-schoolers, are back to enjoying a seat on the condo's ledge:



East Village artist, fixture, symbol, etc., Mosaic Man Jim Power has abandoned us for Brooklyn. Says the Voice: "The demise of New York City is a death by a thousand cuts." [Voice]

Although they warned me to avert my eyes, I still looked. If you're squeamish you might not want to click this link to see a gruesome photo of Gertel's Bakery being destroyed to make room for more condos. [Curbed]

Coincidentally, I was just the other day taking pictures of this gutted building and wondering what was up -- a giant hotel, that's what. If anyone knows any history of this building on the corner of (I think) 13th and 4th, please let me know:

Jeff Sheehan & Corner Bistro



On view until November 7 at the 2/20 Gallery (220 W.16th St.) are a series of evocative, grainy, black-and-white photographs of men and women seated at a smoky bar. They were taken by bartender Jeff Sheehan at the Corner Bistro on W. 4th. I went there to see if I could talk with him.

I arrived too early to find Mr. Sheehan, but I did find a place that felt like the sort of place where Richard Yates, or one of his characters, would go to meet a girl or get away from a girl, but anyway to get drunk. That’s not difficult at the Corner Bistro because the drinks are liberally poured. After a couple, I left a bleary note for the photographer and he got in touch.



Mr. Sheehan comes from a long line of Corner Bistro habituĂ©s. His father tended bar in the 1960s, his grandfather drank there in the ‘50s, as his great-grandfather did in the ‘30s. Jeff got the job behind the bar 10 years ago. When he first heard about Bloomberg’s smoking ban, he knew things were about to change, so he began taking pictures.

“With the photos I have attempted to capture a sense of history and timelessness,” he says, “Some of the photos I imagine could have been taken when my dad stood behind the bar or when my great-grandfather stood on the other side.”



Shot with a 40-year-old Polaroid land camera, the images are like windows into a distant past, when barroom faces were softened by smoke instead of being “lit by the small LCD screens they endlessly peer into” today.

Like many of us, Mr. Sheehan experiences the current rapid changes to the city as disturbing. He recalls walking around New York with his father and hearing stories about the places that used to be there 50 years ago. Now, he says, “I walk around and tell anyone who will listen what was there 10 years ago, 5 years ago, 2 years ago, a month ago.”

The Bistro hasn’t changed much, but then again it has. Crowding the long-time patrons are swarms of young people Mr. Sheehan says have lots of money, little soul, and nothing better to do than “complain that their belly buttons are too high.”



Early in my evening at the Bistro, I enjoyed the spaciousness of the acorn-colored bar and the quiet that allowed me to read a book in the rare company of other barroom readers. Soft mambo music played and made the waiters switch their hips as they turned fat burgers in the broiler. I had a warm, lazy feeling that was deeply satisfying. Then those crowds began to flow in, spilling over from the Meatpacking district.

An abrasive-voiced girl who kept bumping me with her giant handbag explained to a boy what she does for a living, something in sales or marketing. “I do whatever the client tells me to do,” she shouted, “It sounds boring from the outside, but really it’s not.”

“No, no, it doesn’t sound boring at all,” the boy insisted.

But it did sound boring. Very boring. I paid my bill and left the Bistro. Next time, I'll make sure to go even earlier. I will drink my drink in the amber warmth and comfort myself with the thought that someday, when the Bistro has become a bank or a Marc Jacobs store, we'll still have Jeff Sheehan's photos to remind us that, one time, not long ago, the city wasn't such a very boring place.

Thursday, November 1, 2007

13th St. Rep & Edith O'Hara

1/15/08 Update: Here's that high-rise hotel Edith predicted was coming: Curbed.



If you find yourself walking by the Thirteenth Street Repertory Theater and the door is open, take a step inside and have a chat with Edith O’Hara. She’ll greet you warmly, turn off the television, and sit you down on one of the worn-out couches to tell you all about the theater, which she established in 1972 and which is today under imminent threat of destruction.

She’ll show you the history she’s dug up on the the building, which was constructed in the late 1700s and became an Underground Railroad site. The carriage house (now the dressing room) has a trap door in the basement floor through which runaway slaves were hidden on their way to freedom. In the 1940s, it became a popular ceramics studio and Ms. O’Hara still has the kiln. Now the theater is her home, literally; she lives in the apartment upstairs.



If you ask, she’ll tell you about how she grew up in a logging camp in the wilds of Idaho, where she lived with nature, had no electricity, and never heard the word “theater” until her teacher gave her the role of George Washington in the school play “and it was just Heaven.” Little Edith was hooked. She later discovered that, more than acting, she loved “providing a space to bring people together,” and that’s exactly what she’s been doing for the past 35 years.

Many performers got their start on her stage, including Bette Midler and Chazz Palminteri, who wrote this about the theater’s demise, “It’s not just closing down the 13th Street Theater. It’s closing down a whole universe.”

Unfortunately, that universe is just one half block outside the Greenwich Village Historic Preservation District and that means it’s not protected — except, of course, by Ms. O’Hara. At 90 years old, she’s still a determined fighter. She’s had five eviction notices thrown out by judges and she continues to battle against the forces of development -- forces she has seen mounting over the past few years: "Right now is worse than ever before. History in New York City is being torn down and abandoned. NYU and the New School are absorbing everything in sight. Everyone is noting there's an ongoing lack of concern for anything but development."



“They want to do a high-rise on this site,” she told me, “maybe a hotel. The building next door is in the throes,” meaning it’s for sale, or has been sold, and is slated for the wrecking ball. But the developers need three more feet of width and Ms. O’Hara’s home is in their way.

Luckily, the fight won’t end with her. She has instilled her love of theater in her children. All of them are performers, including actor Jenny O’Hara. “When I go,” Edith assured me, “my daughters will do whatever I wish. They’ll keep on fighting.”