Wednesday, November 7, 2007

*Everyday Chatter

Another luxe tower is coming to 4th and Bowery! On Thursday 11/8 at 6:45 pm, Community Board 2 will hold hearings on a 16-story building that is being proposed to rise across from BBar, up from the landmarked Tredwell Skidmore building. Go give 'em hell at the NYU Silver Building, 32 Waverly Place, room 520.

The Oculus is rising...does any condo have a creepier, more sinister Orwellian name?


Read coverage of a discussion on the book New York Calling and gentrification in NYC. John Strausbaugh steals the show as he says things like "the city as a cultural engine has been killed by what’s going on.” [City Room]

Now the city is selling off our public libraries to luxury hoteliers. Last I checked, these things kind of belonged to the, um, public. [Curbed]

Help empower Jim Power, the Mosaic Man who fled the EV for Brooklyn--and now has a roof over his head. [NMNL]

Morgan Spurlock's What Would Jesus Buy with Reverend Billy premieres at Cinema Village 11/16.

The 100 W. 18th condo gives birth to yet another bank--and this baby is big, taking up nearly half a block in each direction:

Tuesday, November 6, 2007

Varvatos Rocks CBGB's

A tipster sent me today's press release announcing John Varvatos' move into the former CBGB's space.


Varvatos nods to the Ramones -- at $110

To summarize, Varvatos is the right guy for this space because:

  • He is "known for infusing his personal passion for rock & roll into his acclaimed menswear collections"
  • He "has a real reverence for the history of the space and every intention of honoring its legacy"
  • He is an avid Led Zeppelin fan and "now features legendary rockers in his advertising campaigns"
  • "With a nod to The Ramones, Varvatos also collaborates with Converse on a line of sneakers and clothing."
  • The store will feature a "special merchandise mix geared to a rock & roll customer" such as "a stage permanently integrated into the store design"
  • PLUS: Alice Cooper says, "now all the old CBGB punks will become the best dressed CBGB punks in the world"

10th Street Baths Facelift

So far this week is turning out to be Extreme Makeover: The Vanishing New York edition, so here's one more. The 10th Street Baths is also sporting a tight new facelift.



I was walking down 10th Street this weekend when I saw this and thought, "Another bathhouse I've never seen before?" Until I realized where I was. Very disorienting. This feels like a municipal building in, I don't know, Cleveland?

While I do like the attempt to give the bathhouse an old look with that carved stone front, I find the whole building incredibly stark, cold, and blah. Especially with that crapalicious new apartment/condo next door. I miss the warm brick, the red stone stairs, the brown wooden door with its braided details and tile fanlight.

I think they also changed the ventilation system. Always, when you walked by, you got a strong and intoxicating lungfull of eucalyptus. Now, nothing.


pic of former facade from flickr

And for posterity, here's what the bathhouse looked like way before. This photo is untitled and I can't be positive it's 10th Street, but there is a hint of that braided door just discernible in the shadows. I love the signage here--you just don't see the word "chiropodist" enough these days.


photo from Naked City by Weegee

Monday, November 5, 2007

*Everyday Chatter

I saw this story on the news last night about the woman who left her $10,000 dogs tied by their Louis Vuitton leashes to a scaffold pole while she ate dinner and the dogs were stolen. She said on camera (I am paraphrasing), "People always tell me not to leave them tied up like that, because they could get stolen, but this is a safe--I mean, well--I still think that won't happen here." Maybe she and my unchained-bike girl should chat. [NYDN]

God, I want one of these cell-phone jammers. It's a fantasy come true. How could you ever feel guilty for it? Someone start lobbying to make these legal, please. [NYT]

In sad news, Norman Schapiro, owner of LES Schapiro Wines, has died. "His wife, Linda Schapiro, said yesterday that the fate of the business is undecided in the wake of his death." Time to stock up for the holidays. [Loho]

Lotus Lounge may be closed for good--did they finally fold under Starbucks' pressure? Some may remember, Lotus was opened by the guys who used to run Biblio's, which closed in the mid-90s after serving as a venue for NYC poets--many of the same folks who now frequent Bowery Poetry Club. [Eater]

Park Slope loses another indie bookstore. Lost City asks whether Slopers are truly literary and Brownstoner's commenters supply some insight, as many (not all) say good riddance to a shop that they found (1) too dusty, (2) didn't cater to kids, and (3) didn't have enough magazines. I guess that answers Lost City's question about the literary quality of many Slopers. [Lost City]

Friday, November 2, 2007

*Everyday Chatter

Joey of Curbed's comic-book rendering of condo Yves' promotional materials. [Curbed]

To update the ongoing saga at 18th and 8th: They listened to the neighbor's notes and took down their crappy barriers. Now the neighbors, along with the hordes of high-schoolers, are back to enjoying a seat on the condo's ledge:



East Village artist, fixture, symbol, etc., Mosaic Man Jim Power has abandoned us for Brooklyn. Says the Voice: "The demise of New York City is a death by a thousand cuts." [Voice]

Although they warned me to avert my eyes, I still looked. If you're squeamish you might not want to click this link to see a gruesome photo of Gertel's Bakery being destroyed to make room for more condos. [Curbed]

Coincidentally, I was just the other day taking pictures of this gutted building and wondering what was up -- a giant hotel, that's what. If anyone knows any history of this building on the corner of (I think) 13th and 4th, please let me know:

Jeff Sheehan & Corner Bistro



On view until November 7 at the 2/20 Gallery (220 W.16th St.) are a series of evocative, grainy, black-and-white photographs of men and women seated at a smoky bar. They were taken by bartender Jeff Sheehan at the Corner Bistro on W. 4th. I went there to see if I could talk with him.

I arrived too early to find Mr. Sheehan, but I did find a place that felt like the sort of place where Richard Yates, or one of his characters, would go to meet a girl or get away from a girl, but anyway to get drunk. That’s not difficult at the Corner Bistro because the drinks are liberally poured. After a couple, I left a bleary note for the photographer and he got in touch.



Mr. Sheehan comes from a long line of Corner Bistro habitués. His father tended bar in the 1960s, his grandfather drank there in the ‘50s, as his great-grandfather did in the ‘30s. Jeff got the job behind the bar 10 years ago. When he first heard about Bloomberg’s smoking ban, he knew things were about to change, so he began taking pictures.

“With the photos I have attempted to capture a sense of history and timelessness,” he says, “Some of the photos I imagine could have been taken when my dad stood behind the bar or when my great-grandfather stood on the other side.”



Shot with a 40-year-old Polaroid land camera, the images are like windows into a distant past, when barroom faces were softened by smoke instead of being “lit by the small LCD screens they endlessly peer into” today.

Like many of us, Mr. Sheehan experiences the current rapid changes to the city as disturbing. He recalls walking around New York with his father and hearing stories about the places that used to be there 50 years ago. Now, he says, “I walk around and tell anyone who will listen what was there 10 years ago, 5 years ago, 2 years ago, a month ago.”

The Bistro hasn’t changed much, but then again it has. Crowding the long-time patrons are swarms of young people Mr. Sheehan says have lots of money, little soul, and nothing better to do than “complain that their belly buttons are too high.”



Early in my evening at the Bistro, I enjoyed the spaciousness of the acorn-colored bar and the quiet that allowed me to read a book in the rare company of other barroom readers. Soft mambo music played and made the waiters switch their hips as they turned fat burgers in the broiler. I had a warm, lazy feeling that was deeply satisfying. Then those crowds began to flow in, spilling over from the Meatpacking district.

An abrasive-voiced girl who kept bumping me with her giant handbag explained to a boy what she does for a living, something in sales or marketing. “I do whatever the client tells me to do,” she shouted, “It sounds boring from the outside, but really it’s not.”

“No, no, it doesn’t sound boring at all,” the boy insisted.

But it did sound boring. Very boring. I paid my bill and left the Bistro. Next time, I'll make sure to go even earlier. I will drink my drink in the amber warmth and comfort myself with the thought that someday, when the Bistro has become a bank or a Marc Jacobs store, we'll still have Jeff Sheehan's photos to remind us that, one time, not long ago, the city wasn't such a very boring place.

Thursday, November 1, 2007

13th St. Rep & Edith O'Hara

1/15/08 Update: Here's that high-rise hotel Edith predicted was coming: Curbed.



If you find yourself walking by the Thirteenth Street Repertory Theater and the door is open, take a step inside and have a chat with Edith O’Hara. She’ll greet you warmly, turn off the television, and sit you down on one of the worn-out couches to tell you all about the theater, which she established in 1972 and which is today under imminent threat of destruction.

She’ll show you the history she’s dug up on the the building, which was constructed in the late 1700s and became an Underground Railroad site. The carriage house (now the dressing room) has a trap door in the basement floor through which runaway slaves were hidden on their way to freedom. In the 1940s, it became a popular ceramics studio and Ms. O’Hara still has the kiln. Now the theater is her home, literally; she lives in the apartment upstairs.



If you ask, she’ll tell you about how she grew up in a logging camp in the wilds of Idaho, where she lived with nature, had no electricity, and never heard the word “theater” until her teacher gave her the role of George Washington in the school play “and it was just Heaven.” Little Edith was hooked. She later discovered that, more than acting, she loved “providing a space to bring people together,” and that’s exactly what she’s been doing for the past 35 years.

Many performers got their start on her stage, including Bette Midler and Chazz Palminteri, who wrote this about the theater’s demise, “It’s not just closing down the 13th Street Theater. It’s closing down a whole universe.”

Unfortunately, that universe is just one half block outside the Greenwich Village Historic Preservation District and that means it’s not protected — except, of course, by Ms. O’Hara. At 90 years old, she’s still a determined fighter. She’s had five eviction notices thrown out by judges and she continues to battle against the forces of development -- forces she has seen mounting over the past few years: "Right now is worse than ever before. History in New York City is being torn down and abandoned. NYU and the New School are absorbing everything in sight. Everyone is noting there's an ongoing lack of concern for anything but development."



“They want to do a high-rise on this site,” she told me, “maybe a hotel. The building next door is in the throes,” meaning it’s for sale, or has been sold, and is slated for the wrecking ball. But the developers need three more feet of width and Ms. O’Hara’s home is in their way.

Luckily, the fight won’t end with her. She has instilled her love of theater in her children. All of them are performers, including actor Jenny O’Hara. “When I go,” Edith assured me, “my daughters will do whatever I wish. They’ll keep on fighting.”